El teatro como ámbito de resistencia : identidad, inmigración y exilio
In the construction of a modern Argentina, inmigration plays a very important role. In the case of theatre, two different movements -Teatro Abierto and communitarian theatre- are fundamental in the way they stage the problematics of this inmigration. We will analyse this phenomenon through the study...
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| Format: | Article |
| Language: | Spanish |
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Groupe de Recherche Amérique Latine Histoire et Mémoire
2009-12-01
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| Series: | Les Cahiers ALHIM |
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| Online Access: | https://journals.openedition.org/alhim/3301 |
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| _version_ | 1841547144359575552 |
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| author | Silvina Díaz |
| author_facet | Silvina Díaz |
| author_sort | Silvina Díaz |
| collection | DOAJ |
| description | In the construction of a modern Argentina, inmigration plays a very important role. In the case of theatre, two different movements -Teatro Abierto and communitarian theatre- are fundamental in the way they stage the problematics of this inmigration. We will analyse this phenomenon through the study of three plays - Gris de ausencia by Roberto Cossa, For export by Patricio Esteve and Lejana tierra prometida by Ricardo Halac -, and the production of the Grupo comunitario Catalinas Sur, Venimos de muy lejos. |
| format | Article |
| id | doaj-art-d9896fa811024e429dbcb58060ce8332 |
| institution | Kabale University |
| issn | 1628-6731 1777-5175 |
| language | Spanish |
| publishDate | 2009-12-01 |
| publisher | Groupe de Recherche Amérique Latine Histoire et Mémoire |
| record_format | Article |
| series | Les Cahiers ALHIM |
| spelling | doaj-art-d9896fa811024e429dbcb58060ce83322025-01-10T14:55:31ZspaGroupe de Recherche Amérique Latine Histoire et MémoireLes Cahiers ALHIM1628-67311777-51752009-12-011810.4000/alhim.3301El teatro como ámbito de resistencia : identidad, inmigración y exilioSilvina DíazIn the construction of a modern Argentina, inmigration plays a very important role. In the case of theatre, two different movements -Teatro Abierto and communitarian theatre- are fundamental in the way they stage the problematics of this inmigration. We will analyse this phenomenon through the study of three plays - Gris de ausencia by Roberto Cossa, For export by Patricio Esteve and Lejana tierra prometida by Ricardo Halac -, and the production of the Grupo comunitario Catalinas Sur, Venimos de muy lejos.https://journals.openedition.org/alhim/3301inmigrationexileTeatro Abiertocommunitarian theatreRoberto CossaPatricio Esteve |
| spellingShingle | Silvina Díaz El teatro como ámbito de resistencia : identidad, inmigración y exilio Les Cahiers ALHIM inmigration exile Teatro Abierto communitarian theatre Roberto Cossa Patricio Esteve |
| title | El teatro como ámbito de resistencia : identidad, inmigración y exilio |
| title_full | El teatro como ámbito de resistencia : identidad, inmigración y exilio |
| title_fullStr | El teatro como ámbito de resistencia : identidad, inmigración y exilio |
| title_full_unstemmed | El teatro como ámbito de resistencia : identidad, inmigración y exilio |
| title_short | El teatro como ámbito de resistencia : identidad, inmigración y exilio |
| title_sort | el teatro como ambito de resistencia identidad inmigracion y exilio |
| topic | inmigration exile Teatro Abierto communitarian theatre Roberto Cossa Patricio Esteve |
| url | https://journals.openedition.org/alhim/3301 |
| work_keys_str_mv | AT silvinadiaz elteatrocomoambitoderesistenciaidentidadinmigracionyexilio |