Le Temps découpé de Michel Butor: um exemplo da escrita de experimentação

This paper issues the presentation of a Literature case as a space of creation, cooperation/collaboration and innovation, focusing in the singular and original novel Le Temps Découpé, production that joins the works of the Belgian artist Thierry Renard to the texts of Michel Butor. Through the multi...

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Main Author: Francisco Sousa Neto
Format: Article
Language:English
Published: Association Portugaise d'Etudes Françaises 2009-06-01
Series:Carnets
Subjects:
Online Access:https://journals.openedition.org/carnets/4129
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author Francisco Sousa Neto
author_facet Francisco Sousa Neto
author_sort Francisco Sousa Neto
collection DOAJ
description This paper issues the presentation of a Literature case as a space of creation, cooperation/collaboration and innovation, focusing in the singular and original novel Le Temps Découpé, production that joins the works of the Belgian artist Thierry Renard to the texts of Michel Butor. Through the multiplicity and richness presented in this four hands writing, the reader should not only act the final role as a simple consumer, but he must act like a producer. This text constitutes in its own way a subject of reflection about the relation between the writer-philosopher Butor and the reader/co-producer. Finally it will be analyzed that Butor novel assumes a profound and violent interrogation of the concepts of Art and Literature, because it refuses the immediate communication and transgresses the traditional disposition of a book, specially in its relations, in a innovation way, with other artistic spaces.
format Article
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institution Kabale University
issn 1646-7698
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publisher Association Portugaise d'Etudes Françaises
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series Carnets
spelling doaj-art-d9034170d40c469d80353c6483edf9992024-12-09T13:42:41ZengAssociation Portugaise d'Etudes FrançaisesCarnets1646-76982009-06-01134134910.4000/carnets.4129Le Temps découpé de Michel Butor: um exemplo da escrita de experimentaçãoFrancisco Sousa NetoThis paper issues the presentation of a Literature case as a space of creation, cooperation/collaboration and innovation, focusing in the singular and original novel Le Temps Découpé, production that joins the works of the Belgian artist Thierry Renard to the texts of Michel Butor. Through the multiplicity and richness presented in this four hands writing, the reader should not only act the final role as a simple consumer, but he must act like a producer. This text constitutes in its own way a subject of reflection about the relation between the writer-philosopher Butor and the reader/co-producer. Finally it will be analyzed that Butor novel assumes a profound and violent interrogation of the concepts of Art and Literature, because it refuses the immediate communication and transgresses the traditional disposition of a book, specially in its relations, in a innovation way, with other artistic spaces.https://journals.openedition.org/carnets/4129Michel ButorModernityTransgressionExperimental writingInter-artistic collaboration
spellingShingle Francisco Sousa Neto
Le Temps découpé de Michel Butor: um exemplo da escrita de experimentação
Carnets
Michel Butor
Modernity
Transgression
Experimental writing
Inter-artistic collaboration
title Le Temps découpé de Michel Butor: um exemplo da escrita de experimentação
title_full Le Temps découpé de Michel Butor: um exemplo da escrita de experimentação
title_fullStr Le Temps découpé de Michel Butor: um exemplo da escrita de experimentação
title_full_unstemmed Le Temps découpé de Michel Butor: um exemplo da escrita de experimentação
title_short Le Temps découpé de Michel Butor: um exemplo da escrita de experimentação
title_sort le temps decoupe de michel butor um exemplo da escrita de experimentacao
topic Michel Butor
Modernity
Transgression
Experimental writing
Inter-artistic collaboration
url https://journals.openedition.org/carnets/4129
work_keys_str_mv AT franciscosousaneto letempsdecoupedemichelbutorumexemplodaescritadeexperimentacao