La Fabrique des corps dans Balcony Stories de Grace King

This essay examines Grace King’s depiction of the way in which the patriarchal system of the Old South fashioned docile bodies which struggled to adapt to the fast-changing postbellum society of the late 19th century. These are bodies which cannot fully express themselves once they have broken free...

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Main Author: Stéphanie DURRANS
Format: Article
Language:English
Published: Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA) 2022-12-01
Series:E-REA
Subjects:
Online Access:https://journals.openedition.org/erea/15153
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author Stéphanie DURRANS
author_facet Stéphanie DURRANS
author_sort Stéphanie DURRANS
collection DOAJ
description This essay examines Grace King’s depiction of the way in which the patriarchal system of the Old South fashioned docile bodies which struggled to adapt to the fast-changing postbellum society of the late 19th century. These are bodies which cannot fully express themselves once they have broken free from the prison of the asylum, the slave pen, or the convent. We shall also see how King subverts established frames and undermines the disciplinary system of her own short story collection: in this panopticon of sorts, should we regard the balcony as another prison or as a surveillance tower? Doesn’t it allow its female occupants to recover an authority of which they have been deprived?
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institution Kabale University
issn 1638-1718
language English
publishDate 2022-12-01
publisher Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)
record_format Article
series E-REA
spelling doaj-art-d79cc630933442a99622b95b9701258e2025-01-09T12:52:54ZengLaboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)E-REA1638-17182022-12-0120110.4000/erea.15153La Fabrique des corps dans Balcony Stories de Grace KingStéphanie DURRANSThis essay examines Grace King’s depiction of the way in which the patriarchal system of the Old South fashioned docile bodies which struggled to adapt to the fast-changing postbellum society of the late 19th century. These are bodies which cannot fully express themselves once they have broken free from the prison of the asylum, the slave pen, or the convent. We shall also see how King subverts established frames and undermines the disciplinary system of her own short story collection: in this panopticon of sorts, should we regard the balcony as another prison or as a surveillance tower? Doesn’t it allow its female occupants to recover an authority of which they have been deprived?https://journals.openedition.org/erea/15153bodypatriarchyLouisianadisciplinesurveillancepanopticon
spellingShingle Stéphanie DURRANS
La Fabrique des corps dans Balcony Stories de Grace King
E-REA
body
patriarchy
Louisiana
discipline
surveillance
panopticon
title La Fabrique des corps dans Balcony Stories de Grace King
title_full La Fabrique des corps dans Balcony Stories de Grace King
title_fullStr La Fabrique des corps dans Balcony Stories de Grace King
title_full_unstemmed La Fabrique des corps dans Balcony Stories de Grace King
title_short La Fabrique des corps dans Balcony Stories de Grace King
title_sort la fabrique des corps dans balcony stories de grace king
topic body
patriarchy
Louisiana
discipline
surveillance
panopticon
url https://journals.openedition.org/erea/15153
work_keys_str_mv AT stephaniedurrans lafabriquedescorpsdansbalconystoriesdegraceking