The Visible Aspect of Things: Towards a Synchronic Reading of Donald Barthelme

This essay seeks to address a distinct lacuna in criticism regarding the American author Donald Barthelme, one comprised of two dimensions. First, there is a scarcity of analysis of fragments in works apart from Snow White. Second, almost no attention has been paid to the formal intricacies of Barth...

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Main Author: Surya Bowyer
Format: Article
Language:English
Published: European Association for American Studies 2018-08-01
Series:European Journal of American Studies
Subjects:
Online Access:https://journals.openedition.org/ejas/12867
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author Surya Bowyer
author_facet Surya Bowyer
author_sort Surya Bowyer
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description This essay seeks to address a distinct lacuna in criticism regarding the American author Donald Barthelme, one comprised of two dimensions. First, there is a scarcity of analysis of fragments in works apart from Snow White. Second, almost no attention has been paid to the formal intricacies of Barthelme’s fragments, nor to why their visible aspects might be significant. Arguing that Barthelme is an unusually visually-minded writer, this essay examines the use of fragments in a range of his short stories. A Saussurean framework is used to argue that Barthelme’s writing demands we shift the act of reading away from its diachronic conventions and towards a synchronic approach. I analyze such apparently unremarkable textual aspects as dashes, hyphens, and lists, showing that they are used by Barthelme in a way that demands a visual mode of reading. In questioning the significance of causality, this mode of reading has wider implications insofar as it challenges the typical view that the short story should be approached as a form that is driven by narrative.
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spelling doaj-art-d7952efbe2bf47a8875b56fbd95d88942025-01-06T09:09:25ZengEuropean Association for American StudiesEuropean Journal of American Studies1991-93362018-08-0113210.4000/ejas.12867The Visible Aspect of Things: Towards a Synchronic Reading of Donald BarthelmeSurya BowyerThis essay seeks to address a distinct lacuna in criticism regarding the American author Donald Barthelme, one comprised of two dimensions. First, there is a scarcity of analysis of fragments in works apart from Snow White. Second, almost no attention has been paid to the formal intricacies of Barthelme’s fragments, nor to why their visible aspects might be significant. Arguing that Barthelme is an unusually visually-minded writer, this essay examines the use of fragments in a range of his short stories. A Saussurean framework is used to argue that Barthelme’s writing demands we shift the act of reading away from its diachronic conventions and towards a synchronic approach. I analyze such apparently unremarkable textual aspects as dashes, hyphens, and lists, showing that they are used by Barthelme in a way that demands a visual mode of reading. In questioning the significance of causality, this mode of reading has wider implications insofar as it challenges the typical view that the short story should be approached as a form that is driven by narrative.https://journals.openedition.org/ejas/12867readingDonald Barthelmeformvisualvisiblesynchrony
spellingShingle Surya Bowyer
The Visible Aspect of Things: Towards a Synchronic Reading of Donald Barthelme
European Journal of American Studies
reading
Donald Barthelme
form
visual
visible
synchrony
title The Visible Aspect of Things: Towards a Synchronic Reading of Donald Barthelme
title_full The Visible Aspect of Things: Towards a Synchronic Reading of Donald Barthelme
title_fullStr The Visible Aspect of Things: Towards a Synchronic Reading of Donald Barthelme
title_full_unstemmed The Visible Aspect of Things: Towards a Synchronic Reading of Donald Barthelme
title_short The Visible Aspect of Things: Towards a Synchronic Reading of Donald Barthelme
title_sort visible aspect of things towards a synchronic reading of donald barthelme
topic reading
Donald Barthelme
form
visual
visible
synchrony
url https://journals.openedition.org/ejas/12867
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