Usages prescrits et figure de l’utilisateur modèle dans le design du web-documentaire B4, fenêtres sur tour

This article considers how the various professionals involved in designing an interactive web documentary anticipate and negotiate the uses of the eventual “acting spectator” (spectateur-actant). The author recorded his observations during his participation in six months of design work on B4, fenêtr...

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Main Author: Samuel Gantier
Format: Article
Language:fra
Published: Université Laval 2016-01-01
Series:Communication
Subjects:
Online Access:https://journals.openedition.org/communication/5709
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author Samuel Gantier
author_facet Samuel Gantier
author_sort Samuel Gantier
collection DOAJ
description This article considers how the various professionals involved in designing an interactive web documentary anticipate and negotiate the uses of the eventual “acting spectator” (spectateur-actant). The author recorded his observations during his participation in six months of design work on B4, fenêtres sur tour, an interactive web documentary coproduced by France Télévision’s Nouvelles Écritures. His analytic framework highlights all the sociotechnical and semio-pragmatic controversies that shaped the making of the documentary. A three-dimensional figure of the “model user” is then formalized. The exogenous, interactional, and capability dimensions of this model user ultimately provided a methodological lesson in the designing of such an emergent, non-stabilized format.
format Article
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institution Kabale University
issn 1189-3788
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publishDate 2016-01-01
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record_format Article
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spelling doaj-art-d76b285366b04f268a2983ed116945d52025-01-09T11:26:56ZfraUniversité LavalCommunication1189-37881920-73442016-01-0133210.4000/communication.5709Usages prescrits et figure de l’utilisateur modèle dans le design du web-documentaire B4, fenêtres sur tourSamuel GantierThis article considers how the various professionals involved in designing an interactive web documentary anticipate and negotiate the uses of the eventual “acting spectator” (spectateur-actant). The author recorded his observations during his participation in six months of design work on B4, fenêtres sur tour, an interactive web documentary coproduced by France Télévision’s Nouvelles Écritures. His analytic framework highlights all the sociotechnical and semio-pragmatic controversies that shaped the making of the documentary. A three-dimensional figure of the “model user” is then formalized. The exogenous, interactional, and capability dimensions of this model user ultimately provided a methodological lesson in the designing of such an emergent, non-stabilized format.https://journals.openedition.org/communication/5709Francecontroversyinteractive web documentarymodel useraffordance
spellingShingle Samuel Gantier
Usages prescrits et figure de l’utilisateur modèle dans le design du web-documentaire B4, fenêtres sur tour
Communication
France
controversy
interactive web documentary
model user
affordance
title Usages prescrits et figure de l’utilisateur modèle dans le design du web-documentaire B4, fenêtres sur tour
title_full Usages prescrits et figure de l’utilisateur modèle dans le design du web-documentaire B4, fenêtres sur tour
title_fullStr Usages prescrits et figure de l’utilisateur modèle dans le design du web-documentaire B4, fenêtres sur tour
title_full_unstemmed Usages prescrits et figure de l’utilisateur modèle dans le design du web-documentaire B4, fenêtres sur tour
title_short Usages prescrits et figure de l’utilisateur modèle dans le design du web-documentaire B4, fenêtres sur tour
title_sort usages prescrits et figure de l utilisateur modele dans le design du web documentaire b4 fenetres sur tour
topic France
controversy
interactive web documentary
model user
affordance
url https://journals.openedition.org/communication/5709
work_keys_str_mv AT samuelgantier usagesprescritsetfiguredelutilisateurmodeledansledesignduwebdocumentaireb4fenetressurtour