Witnessing versus Fiction: Julia Frey’s diary of September 11, 2001 and Last Fall (2005) by Ronald Sukenick, her husband

This presentation compares brief excerpts of three texts, by two authors, living together at Ground Zero on 9/11/2001. Comparison of Sukenick’s page of handwritten notes found among his papers after his death to the description of 9/11/2001 in his posthumously published novel, Last Fall (2005), show...

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Main Author: Julia FREY
Format: Article
Language:English
Published: Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA) 2011-09-01
Series:E-REA
Subjects:
Online Access:https://journals.openedition.org/erea/2002
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author Julia FREY
author_facet Julia FREY
author_sort Julia FREY
collection DOAJ
description This presentation compares brief excerpts of three texts, by two authors, living together at Ground Zero on 9/11/2001. Comparison of Sukenick’s page of handwritten notes found among his papers after his death to the description of 9/11/2001 in his posthumously published novel, Last Fall (2005), shows the evolution from brief phrases to elaborated description, but confirms that the events themselves are not fictionalized in the novel. Comparison of Sukenick’s fictionalized version to Frey’s eye-witness account, written at dawn on 12/09/2001, looking out their apartment windows at the burning ruins, shows that the two accounts remain essentially identical, although Frey provides much greater detail and does not appear to be preoccupied by stylistic concerns. Frey has recently completed her own (forthcoming) novel, which includes her non-fiction account of events during and after the attacks on the World Trade Center, quoted with small changes, directly from her diary. The text is available online http://juliafrey.blogspot.com/ > Balcony View - a 9/11 Diary In looking at the ur texts for each writer’s novel, it is clear that both Sukenick and Frey chose NOT to fictionalize the events of 9/11 itself, which were dramatic enough to need no embroidery. In their novels, Frey and Sukenick use their actual experiences of 9/11 in the same way: they displace them into a fictional structure, showing them as happening to fictional characters, and as having an impact on the novel’s plot structure. In each novel the physical and emotional impact of 9/11 serves as a turning point, a cataclysmic and totally unexpected event which interrupts the flow of everyday life and changes the relationships among the novels’ characters. This fictional use of the attacks plays the role that the attacks actually played in the lives of the writers.
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spelling doaj-art-d7350ae33b9a447089bcd3d391448a2e2025-01-09T12:53:30ZengLaboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)E-REA1638-17182011-09-019110.4000/erea.2002Witnessing versus Fiction: Julia Frey’s diary of September 11, 2001 and Last Fall (2005) by Ronald Sukenick, her husbandJulia FREYThis presentation compares brief excerpts of three texts, by two authors, living together at Ground Zero on 9/11/2001. Comparison of Sukenick’s page of handwritten notes found among his papers after his death to the description of 9/11/2001 in his posthumously published novel, Last Fall (2005), shows the evolution from brief phrases to elaborated description, but confirms that the events themselves are not fictionalized in the novel. Comparison of Sukenick’s fictionalized version to Frey’s eye-witness account, written at dawn on 12/09/2001, looking out their apartment windows at the burning ruins, shows that the two accounts remain essentially identical, although Frey provides much greater detail and does not appear to be preoccupied by stylistic concerns. Frey has recently completed her own (forthcoming) novel, which includes her non-fiction account of events during and after the attacks on the World Trade Center, quoted with small changes, directly from her diary. The text is available online http://juliafrey.blogspot.com/ > Balcony View - a 9/11 Diary In looking at the ur texts for each writer’s novel, it is clear that both Sukenick and Frey chose NOT to fictionalize the events of 9/11 itself, which were dramatic enough to need no embroidery. In their novels, Frey and Sukenick use their actual experiences of 9/11 in the same way: they displace them into a fictional structure, showing them as happening to fictional characters, and as having an impact on the novel’s plot structure. In each novel the physical and emotional impact of 9/11 serves as a turning point, a cataclysmic and totally unexpected event which interrupts the flow of everyday life and changes the relationships among the novels’ characters. This fictional use of the attacks plays the role that the attacks actually played in the lives of the writers.https://journals.openedition.org/erea/2002trauma9/11witnessingfictionautofictionRoland Sukenick
spellingShingle Julia FREY
Witnessing versus Fiction: Julia Frey’s diary of September 11, 2001 and Last Fall (2005) by Ronald Sukenick, her husband
E-REA
trauma
9/11
witnessing
fiction
autofiction
Roland Sukenick
title Witnessing versus Fiction: Julia Frey’s diary of September 11, 2001 and Last Fall (2005) by Ronald Sukenick, her husband
title_full Witnessing versus Fiction: Julia Frey’s diary of September 11, 2001 and Last Fall (2005) by Ronald Sukenick, her husband
title_fullStr Witnessing versus Fiction: Julia Frey’s diary of September 11, 2001 and Last Fall (2005) by Ronald Sukenick, her husband
title_full_unstemmed Witnessing versus Fiction: Julia Frey’s diary of September 11, 2001 and Last Fall (2005) by Ronald Sukenick, her husband
title_short Witnessing versus Fiction: Julia Frey’s diary of September 11, 2001 and Last Fall (2005) by Ronald Sukenick, her husband
title_sort witnessing versus fiction julia frey s diary of september 11 2001 and last fall 2005 by ronald sukenick her husband
topic trauma
9/11
witnessing
fiction
autofiction
Roland Sukenick
url https://journals.openedition.org/erea/2002
work_keys_str_mv AT juliafrey witnessingversusfictionjuliafreysdiaryofseptember112001andlastfall2005byronaldsukenickherhusband