Musiques et danses occitanes en Italie

The creation and dissemination of music and dance specific to the Occitan valleys of Italy is undoubtedly the greatest achievement of the Occitanist movement, since it has helped to create contexts of sociability and promote an image of Occitanism both within and outside the area. The ‘heritage age’...

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Main Author: Silvia Chiarini
Format: Article
Language:fra
Published: Ministère de la Culture et de la Communication 2024-11-01
Series:In Situ
Subjects:
Online Access:https://journals.openedition.org/insitu/43516
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author Silvia Chiarini
author_facet Silvia Chiarini
author_sort Silvia Chiarini
collection DOAJ
description The creation and dissemination of music and dance specific to the Occitan valleys of Italy is undoubtedly the greatest achievement of the Occitanist movement, since it has helped to create contexts of sociability and promote an image of Occitanism both within and outside the area. The ‘heritage age’ of musical and choreographic practices in the Occitan valleys of Italy can be divided into three main phases: revivalism, trad-innovation and institutionalisation. During each of these phases, the object of ‘Occitan music’ and the ways in which it is transmitted seem to undergo major changes, which are examined in this contribution.
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id doaj-art-d3729ab00a4c41d2bc7f5a9b111b98f4
institution Kabale University
issn 1630-7305
language fra
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publisher Ministère de la Culture et de la Communication
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spelling doaj-art-d3729ab00a4c41d2bc7f5a9b111b98f42025-01-09T12:44:00ZfraMinistère de la Culture et de la CommunicationIn Situ1630-73052024-11-015410.4000/12w7pMusiques et danses occitanes en ItalieSilvia ChiariniThe creation and dissemination of music and dance specific to the Occitan valleys of Italy is undoubtedly the greatest achievement of the Occitanist movement, since it has helped to create contexts of sociability and promote an image of Occitanism both within and outside the area. The ‘heritage age’ of musical and choreographic practices in the Occitan valleys of Italy can be divided into three main phases: revivalism, trad-innovation and institutionalisation. During each of these phases, the object of ‘Occitan music’ and the ways in which it is transmitted seem to undergo major changes, which are examined in this contribution.https://journals.openedition.org/insitu/43516heritagetraditiontraditional musicoccitanOccitany
spellingShingle Silvia Chiarini
Musiques et danses occitanes en Italie
In Situ
heritage
tradition
traditional music
occitan
Occitany
title Musiques et danses occitanes en Italie
title_full Musiques et danses occitanes en Italie
title_fullStr Musiques et danses occitanes en Italie
title_full_unstemmed Musiques et danses occitanes en Italie
title_short Musiques et danses occitanes en Italie
title_sort musiques et danses occitanes en italie
topic heritage
tradition
traditional music
occitan
Occitany
url https://journals.openedition.org/insitu/43516
work_keys_str_mv AT silviachiarini musiquesetdansesoccitanesenitalie