Dé/faire les corporéités queers en contexte néolibéral
This study examines the dynamics of queer expression in a neoliberal environment with Guma Joana and Amem Yhra, two cross-dressing artists from São Paulo. It explores how their Instagram profiles and participation in the Casa de Criadores event act as intermediary platforms between their informal cr...
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| Format: | Article |
| Language: | fra |
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Université Laval
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| Series: | Communication |
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| Online Access: | https://journals.openedition.org/communication/18611 |
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| _version_ | 1841553243013906432 |
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| author | Jordan Fraser Emery |
| author_facet | Jordan Fraser Emery |
| author_sort | Jordan Fraser Emery |
| collection | DOAJ |
| description | This study examines the dynamics of queer expression in a neoliberal environment with Guma Joana and Amem Yhra, two cross-dressing artists from São Paulo. It explores how their Instagram profiles and participation in the Casa de Criadores event act as intermediary platforms between their informal creativity and the formal structures of creativity they aspire to integrate. Although these platforms allow visibility and promise social recognition, they also raise the question of how the resources from their lived experience are valued and exploited, which can perpetuate forms of social dominance. The study is part of a reflection on the paradoxes of capitalist individualization, using visual semiotics in dialogue with philosophy and aesthetics. |
| format | Article |
| id | doaj-art-d35b74e8de8f4064a4e576bf9752f797 |
| institution | Kabale University |
| issn | 1189-3788 1920-7344 |
| language | fra |
| publisher | Université Laval |
| record_format | Article |
| series | Communication |
| spelling | doaj-art-d35b74e8de8f4064a4e576bf9752f7972025-01-09T11:27:34ZfraUniversité LavalCommunication1189-37881920-734441110.4000/127l1Dé/faire les corporéités queers en contexte néolibéralJordan Fraser EmeryThis study examines the dynamics of queer expression in a neoliberal environment with Guma Joana and Amem Yhra, two cross-dressing artists from São Paulo. It explores how their Instagram profiles and participation in the Casa de Criadores event act as intermediary platforms between their informal creativity and the formal structures of creativity they aspire to integrate. Although these platforms allow visibility and promise social recognition, they also raise the question of how the resources from their lived experience are valued and exploited, which can perpetuate forms of social dominance. The study is part of a reflection on the paradoxes of capitalist individualization, using visual semiotics in dialogue with philosophy and aesthetics.https://journals.openedition.org/communication/18611semioticsdominanceindividuationInstagramqueercross-dresser |
| spellingShingle | Jordan Fraser Emery Dé/faire les corporéités queers en contexte néolibéral Communication semiotics dominance individuation queer cross-dresser |
| title | Dé/faire les corporéités queers en contexte néolibéral |
| title_full | Dé/faire les corporéités queers en contexte néolibéral |
| title_fullStr | Dé/faire les corporéités queers en contexte néolibéral |
| title_full_unstemmed | Dé/faire les corporéités queers en contexte néolibéral |
| title_short | Dé/faire les corporéités queers en contexte néolibéral |
| title_sort | de faire les corporeites queers en contexte neoliberal |
| topic | semiotics dominance individuation queer cross-dresser |
| url | https://journals.openedition.org/communication/18611 |
| work_keys_str_mv | AT jordanfraseremery defairelescorporeitesqueersencontexteneoliberal |