La chanson française, un art de métèques ?
What can teach us an art as popular as chanson on the history, the memory and the imagination of immigration? The first part of the article is devoted to a broad inventory of the “foreign contribution” in this artistic field, whose cultural importance and social impact are considerable. Based on man...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
TELEMME - UMR 6570
2007-09-01
|
| Series: | Amnis |
| Subjects: | |
| Online Access: | https://journals.openedition.org/amnis/804 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1841551158536044544 |
|---|---|
| author | Yves Borowice |
| author_facet | Yves Borowice |
| author_sort | Yves Borowice |
| collection | DOAJ |
| description | What can teach us an art as popular as chanson on the history, the memory and the imagination of immigration? The first part of the article is devoted to a broad inventory of the “foreign contribution” in this artistic field, whose cultural importance and social impact are considerable. Based on many examples, it insists on the seniority of the phenomenon, which goes back up to the end of theninetheenth century and remains today. All the actors of the professional environment — not only the singers — are taken into account. The extreme diversity of courses and routes is approached, as well as the conceptual and terminological questions which result from it. A geography of the origins is eventually sketched. The second part of the article will examine the historical and aesthetic conclusions that can be drawn from this impressive melting pot. |
| format | Article |
| id | doaj-art-d0ff1696e8044615a6ca0ad1fa0411f9 |
| institution | Kabale University |
| issn | 1764-7193 |
| language | English |
| publishDate | 2007-09-01 |
| publisher | TELEMME - UMR 6570 |
| record_format | Article |
| series | Amnis |
| spelling | doaj-art-d0ff1696e8044615a6ca0ad1fa0411f92025-01-09T16:30:44ZengTELEMME - UMR 6570Amnis1764-71932007-09-01710.4000/amnis.804La chanson française, un art de métèques ?Yves BorowiceWhat can teach us an art as popular as chanson on the history, the memory and the imagination of immigration? The first part of the article is devoted to a broad inventory of the “foreign contribution” in this artistic field, whose cultural importance and social impact are considerable. Based on many examples, it insists on the seniority of the phenomenon, which goes back up to the end of theninetheenth century and remains today. All the actors of the professional environment — not only the singers — are taken into account. The extreme diversity of courses and routes is approached, as well as the conceptual and terminological questions which result from it. A geography of the origins is eventually sketched. The second part of the article will examine the historical and aesthetic conclusions that can be drawn from this impressive melting pot.https://journals.openedition.org/amnis/804EuropeFranceimmigrationsong |
| spellingShingle | Yves Borowice La chanson française, un art de métèques ? Amnis Europe France immigration song |
| title | La chanson française, un art de métèques ? |
| title_full | La chanson française, un art de métèques ? |
| title_fullStr | La chanson française, un art de métèques ? |
| title_full_unstemmed | La chanson française, un art de métèques ? |
| title_short | La chanson française, un art de métèques ? |
| title_sort | la chanson francaise un art de meteques |
| topic | Europe France immigration song |
| url | https://journals.openedition.org/amnis/804 |
| work_keys_str_mv | AT yvesborowice lachansonfrancaiseunartdemeteques |