Karel Hynek Mácha pellegrino a Venezia

This article deals with the Czech romantic poet Karel Hynek Mácha (1810-1836), the relationship with the landscape and the way it mirrors in his poems and proses. We are here particularly interested in his journey from Prague to Venice in 1834, mostly carried out by foot. Mácha represented a new wa...

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Main Author: Lucia Bonora
Format: Article
Language:Belarusian
Published: Aracne editrice 2016-12-01
Series:eSamizdat
Subjects:
Online Access:https://www.esamizdat.it/ojs/index.php/eS/article/view/58
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author Lucia Bonora
author_facet Lucia Bonora
author_sort Lucia Bonora
collection DOAJ
description This article deals with the Czech romantic poet Karel Hynek Mácha (1810-1836), the relationship with the landscape and the way it mirrors in his poems and proses. We are here particularly interested in his journey from Prague to Venice in 1834, mostly carried out by foot. Mácha represented a new way to write in the Czech lands, Romanticism and the expression of the poet’s feeling throughout the text was though not well seen in the atmosphere of the Národní obrození (National revival). Lord Byron and “byronism” was the symbol of the western decadence, which should not contaminate the Slavic character of the new, rising, Czech literature. As an homage to Lord Byron, Mácha set off for his journey during which he collected themes through mainly visual stimuli, transforming them in sounds, colours, images and directly into words. With reference to his Denník na cestě do Itálie (Diary of the Journey to Italy), Cikáni (The gypsies) and Máj (May) and through the lens of cultural geography we describe the importance of the landscape and the journey itself as a lifestyle and a great inspiration for Mácha’s poetry.
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issn 1723-4042
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publisher Aracne editrice
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series eSamizdat
spelling doaj-art-d0338c94e2d5459d82ddc35f806ff9a82024-12-15T20:20:40ZbelAracne editriceeSamizdat1723-40422016-12-0111Karel Hynek Mácha pellegrino a VeneziaLucia Bonora0Università degli Studi di Padova This article deals with the Czech romantic poet Karel Hynek Mácha (1810-1836), the relationship with the landscape and the way it mirrors in his poems and proses. We are here particularly interested in his journey from Prague to Venice in 1834, mostly carried out by foot. Mácha represented a new way to write in the Czech lands, Romanticism and the expression of the poet’s feeling throughout the text was though not well seen in the atmosphere of the Národní obrození (National revival). Lord Byron and “byronism” was the symbol of the western decadence, which should not contaminate the Slavic character of the new, rising, Czech literature. As an homage to Lord Byron, Mácha set off for his journey during which he collected themes through mainly visual stimuli, transforming them in sounds, colours, images and directly into words. With reference to his Denník na cestě do Itálie (Diary of the Journey to Italy), Cikáni (The gypsies) and Máj (May) and through the lens of cultural geography we describe the importance of the landscape and the journey itself as a lifestyle and a great inspiration for Mácha’s poetry. https://www.esamizdat.it/ojs/index.php/eS/article/view/58Karel Hynek MáchaG.G. ByronPragueVeniceRomanticismLandscape
spellingShingle Lucia Bonora
Karel Hynek Mácha pellegrino a Venezia
eSamizdat
Karel Hynek Mácha
G.G. Byron
Prague
Venice
Romanticism
Landscape
title Karel Hynek Mácha pellegrino a Venezia
title_full Karel Hynek Mácha pellegrino a Venezia
title_fullStr Karel Hynek Mácha pellegrino a Venezia
title_full_unstemmed Karel Hynek Mácha pellegrino a Venezia
title_short Karel Hynek Mácha pellegrino a Venezia
title_sort karel hynek macha pellegrino a venezia
topic Karel Hynek Mácha
G.G. Byron
Prague
Venice
Romanticism
Landscape
url https://www.esamizdat.it/ojs/index.php/eS/article/view/58
work_keys_str_mv AT luciabonora karelhynekmachapellegrinoavenezia