A Reflection on the Diverse Allusions to Shahnameh in the Works of the Literary Return (Bazgasht-e Adabi) Poets
Because of the significance of Shahnameh, its popularity increased during the period of Literary Return (Bazgasht-e Adabi). The poets of this period tried to resemble their works in terms of style, theme, language, and rhetoric to the poetry of prodigious poets, specifically Ferdowsi. This paper aim...
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Shahid Beheshti University
2021-12-01
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| Series: | تاریخ ادبیات |
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| Online Access: | https://hlit.sbu.ac.ir/article_102148_7685c6a56b11fad60e7ac3f01181078d.pdf |
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| author | sadegh arshi Mostafa Gorji Ayoub moradi |
| author_facet | sadegh arshi Mostafa Gorji Ayoub moradi |
| author_sort | sadegh arshi |
| collection | DOAJ |
| description | Because of the significance of Shahnameh, its popularity increased during the period of Literary Return (Bazgasht-e Adabi). The poets of this period tried to resemble their works in terms of style, theme, language, and rhetoric to the poetry of prodigious poets, specifically Ferdowsi. This paper aims to study, with the analytic-descriptive approach, the allusions to Shahnameh in five divans of prominent poets of this period/school, Sohbat Lāri, Fath-Ali Khan Sabā, Qāʼāni Shirazi, Soroush Esfahani, and Dāvari Shirazi. Studying the five divans reveals that the aforementioned poets have allusions to Shahnameh in terms of imagery, panegyric, the artistic structure, the instructive and exemplary stories, mentioning poet’s personal status with the help of shahnameh stories, using shahnameh references in the parable form, and employing its narrative capacities in Shariteh of Qasideh (the prayer for the praised person in the ode). Comparing the frequency of allusions to Shahnameh in the five divans shows that Qāʼāni has used the most and Dāvari the fewest allusions amongst the five poets |
| format | Article |
| id | doaj-art-ce4d9c277dfe44d78c4ab942f3439487 |
| institution | Kabale University |
| issn | 2008-7349 2588-6878 |
| language | fas |
| publishDate | 2021-12-01 |
| publisher | Shahid Beheshti University |
| record_format | Article |
| series | تاریخ ادبیات |
| spelling | doaj-art-ce4d9c277dfe44d78c4ab942f34394872024-11-14T12:32:41ZfasShahid Beheshti Universityتاریخ ادبیات2008-73492588-68782021-12-0114222925210.52547/hlit.2022.221945.1037102148A Reflection on the Diverse Allusions to Shahnameh in the Works of the Literary Return (Bazgasht-e Adabi) Poetssadegh arshi0Mostafa Gorji1Ayoub moradi2Ph.D. of Persian Language and Literature, Payame Noor University, Tehran, IranProfessor, Department of Persian Language and Literature, Payame Noor University, Mazandaran, IranAssociate Professor, Department of Persian Language and Literature, Payame Noor University, Tehran, IranBecause of the significance of Shahnameh, its popularity increased during the period of Literary Return (Bazgasht-e Adabi). The poets of this period tried to resemble their works in terms of style, theme, language, and rhetoric to the poetry of prodigious poets, specifically Ferdowsi. This paper aims to study, with the analytic-descriptive approach, the allusions to Shahnameh in five divans of prominent poets of this period/school, Sohbat Lāri, Fath-Ali Khan Sabā, Qāʼāni Shirazi, Soroush Esfahani, and Dāvari Shirazi. Studying the five divans reveals that the aforementioned poets have allusions to Shahnameh in terms of imagery, panegyric, the artistic structure, the instructive and exemplary stories, mentioning poet’s personal status with the help of shahnameh stories, using shahnameh references in the parable form, and employing its narrative capacities in Shariteh of Qasideh (the prayer for the praised person in the ode). Comparing the frequency of allusions to Shahnameh in the five divans shows that Qāʼāni has used the most and Dāvari the fewest allusions amongst the five poetshttps://hlit.sbu.ac.ir/article_102148_7685c6a56b11fad60e7ac3f01181078d.pdfferdowsishahnamehliterary return (bazgasht-e adabi)allusions to shahnameh |
| spellingShingle | sadegh arshi Mostafa Gorji Ayoub moradi A Reflection on the Diverse Allusions to Shahnameh in the Works of the Literary Return (Bazgasht-e Adabi) Poets تاریخ ادبیات ferdowsi shahnameh literary return (bazgasht-e adabi) allusions to shahnameh |
| title | A Reflection on the Diverse Allusions to Shahnameh in the Works of the Literary Return (Bazgasht-e Adabi) Poets |
| title_full | A Reflection on the Diverse Allusions to Shahnameh in the Works of the Literary Return (Bazgasht-e Adabi) Poets |
| title_fullStr | A Reflection on the Diverse Allusions to Shahnameh in the Works of the Literary Return (Bazgasht-e Adabi) Poets |
| title_full_unstemmed | A Reflection on the Diverse Allusions to Shahnameh in the Works of the Literary Return (Bazgasht-e Adabi) Poets |
| title_short | A Reflection on the Diverse Allusions to Shahnameh in the Works of the Literary Return (Bazgasht-e Adabi) Poets |
| title_sort | reflection on the diverse allusions to shahnameh in the works of the literary return bazgasht e adabi poets |
| topic | ferdowsi shahnameh literary return (bazgasht-e adabi) allusions to shahnameh |
| url | https://hlit.sbu.ac.ir/article_102148_7685c6a56b11fad60e7ac3f01181078d.pdf |
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