¡Que viva la salsa! ¡Que siga la cumbia! Clase y etnicidad en la música popular de América Latina (1970-1980)
Popular music offers a valuable perspective for social analysis, particularly regarding social class and ethnicity, due to the characteristics of their producers and consumers.This text explores the connections between salsa, Peruvian cumbia-chicha and their ability to represent and shape identitie...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | Spanish |
| Published: |
Presses universitaires du Midi
2024-12-01
|
| Series: | Caravelle |
| Subjects: | |
| Online Access: | https://journals.openedition.org/caravelle/16346 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1841551362477785088 |
|---|---|
| author | Jesús A. Cosamalón Aguilar |
| author_facet | Jesús A. Cosamalón Aguilar |
| author_sort | Jesús A. Cosamalón Aguilar |
| collection | DOAJ |
| description | Popular music offers a valuable perspective for social analysis, particularly regarding social class and ethnicity, due to the characteristics of their producers and consumers.This text explores the connections between salsa, Peruvian cumbia-chicha and their ability to represent and shape identities through its fundamental presence at dance parties. Thus, this study allows us to retrieve the voices of popular sectors and the questions generated from there. |
| format | Article |
| id | doaj-art-ccdbf86d4fe44acd8b3eb7f6f95e29bd |
| institution | Kabale University |
| issn | 1147-6753 2272-9828 |
| language | Spanish |
| publishDate | 2024-12-01 |
| publisher | Presses universitaires du Midi |
| record_format | Article |
| series | Caravelle |
| spelling | doaj-art-ccdbf86d4fe44acd8b3eb7f6f95e29bd2025-01-09T16:15:58ZspaPresses universitaires du MidiCaravelle1147-67532272-98282024-12-011239911410.4000/1315f¡Que viva la salsa! ¡Que siga la cumbia! Clase y etnicidad en la música popular de América Latina (1970-1980)Jesús A. Cosamalón AguilarPopular music offers a valuable perspective for social analysis, particularly regarding social class and ethnicity, due to the characteristics of their producers and consumers.This text explores the connections between salsa, Peruvian cumbia-chicha and their ability to represent and shape identities through its fundamental presence at dance parties. Thus, this study allows us to retrieve the voices of popular sectors and the questions generated from there.https://journals.openedition.org/caravelle/16346EthnicityChichaPopular musicTropical musicCumbia |
| spellingShingle | Jesús A. Cosamalón Aguilar ¡Que viva la salsa! ¡Que siga la cumbia! Clase y etnicidad en la música popular de América Latina (1970-1980) Caravelle Ethnicity Chicha Popular music Tropical music Cumbia |
| title | ¡Que viva la salsa! ¡Que siga la cumbia! Clase y etnicidad en la música popular de América Latina (1970-1980) |
| title_full | ¡Que viva la salsa! ¡Que siga la cumbia! Clase y etnicidad en la música popular de América Latina (1970-1980) |
| title_fullStr | ¡Que viva la salsa! ¡Que siga la cumbia! Clase y etnicidad en la música popular de América Latina (1970-1980) |
| title_full_unstemmed | ¡Que viva la salsa! ¡Que siga la cumbia! Clase y etnicidad en la música popular de América Latina (1970-1980) |
| title_short | ¡Que viva la salsa! ¡Que siga la cumbia! Clase y etnicidad en la música popular de América Latina (1970-1980) |
| title_sort | que viva la salsa que siga la cumbia clase y etnicidad en la musica popular de america latina 1970 1980 |
| topic | Ethnicity Chicha Popular music Tropical music Cumbia |
| url | https://journals.openedition.org/caravelle/16346 |
| work_keys_str_mv | AT jesusacosamalonaguilar quevivalasalsaquesigalacumbiaclaseyetnicidadenlamusicapopulardeamericalatina19701980 |