Between the Archive and the Feed

This article discusses feminist performance and internet art practices of the 21st century through the lens of Boris Groys’s theory of innovation. It analyses works by Signe Pierce, Molly Soda, and Maya Man, to position practices of self-documentation online in exchange with feminist art histories...

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Main Author: Bilyana Palankasova
Format: Article
Language:English
Published: Digital Aesthetics Research Cener 2024-11-01
Series:A Peer-Reviewed Journal About
Subjects:
Online Access:https://aprja.net//article/view/151231
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author Bilyana Palankasova
author_facet Bilyana Palankasova
author_sort Bilyana Palankasova
collection DOAJ
description This article discusses feminist performance and internet art practices of the 21st century through the lens of Boris Groys’s theory of innovation. It analyses works by Signe Pierce, Molly Soda, and Maya Man, to position practices of self-documentation online in exchange with feminist art histories of performance and electronic media. The text proposes that the discussed contemporary art practices fulfil the process of innovation detailed by Groys through a process of re-valuation of values via an exchange between the everyday, trivial, and heterogenous realm of social media (‘the profane’) and the valorised realm of cultural memory (‘the archive’). Using digital ethnography and contextual analysis, framed by the theory of innovation, the text introduced ‘content value’ as a feature of contemporary art on the Internet. The article demonstrates how feminist internet art practices expand on cultural value through the realisation of a process of innovation via an intra-cultural exchange between the feed and the institution.
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issn 2245-7755
language English
publishDate 2024-11-01
publisher Digital Aesthetics Research Cener
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series A Peer-Reviewed Journal About
spelling doaj-art-ccc719b1b4a44055a4fd46b4a00354612024-11-20T01:03:06ZengDigital Aesthetics Research CenerA Peer-Reviewed Journal About2245-77552024-11-0113110.7146/aprja.v13i1.151231Between the Archive and the FeedBilyana Palankasova0University of Glasgow This article discusses feminist performance and internet art practices of the 21st century through the lens of Boris Groys’s theory of innovation. It analyses works by Signe Pierce, Molly Soda, and Maya Man, to position practices of self-documentation online in exchange with feminist art histories of performance and electronic media. The text proposes that the discussed contemporary art practices fulfil the process of innovation detailed by Groys through a process of re-valuation of values via an exchange between the everyday, trivial, and heterogenous realm of social media (‘the profane’) and the valorised realm of cultural memory (‘the archive’). Using digital ethnography and contextual analysis, framed by the theory of innovation, the text introduced ‘content value’ as a feature of contemporary art on the Internet. The article demonstrates how feminist internet art practices expand on cultural value through the realisation of a process of innovation via an intra-cultural exchange between the feed and the institution. https://aprja.net//article/view/151231self-documentationcontentvaluearchiveperformancesocial media
spellingShingle Bilyana Palankasova
Between the Archive and the Feed
A Peer-Reviewed Journal About
self-documentation
content
value
archive
performance
social media
title Between the Archive and the Feed
title_full Between the Archive and the Feed
title_fullStr Between the Archive and the Feed
title_full_unstemmed Between the Archive and the Feed
title_short Between the Archive and the Feed
title_sort between the archive and the feed
topic self-documentation
content
value
archive
performance
social media
url https://aprja.net//article/view/151231
work_keys_str_mv AT bilyanapalankasova betweenthearchiveandthefeed