PAULO ASSIS, Logic of Experimentation: Rethinking Music Performance through Artistic Research

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Bibliographic Details
Main Author: Alejandro Brianza
Format: Article
Language:Spanish
Published: Universidad Nacional de Lanús 2019-11-01
Series:Perspectivas Metodológicas​
Subjects:
Online Access:https://revistas.unla.edu.ar/epistemologia/article/view/2660
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author Alejandro Brianza
author_facet Alejandro Brianza
author_sort Alejandro Brianza
collection DOAJ
format Article
id doaj-art-cbe630ee763041b98f8c59e4b506cc3e
institution Kabale University
issn 1666-3055
2618-4125
language Spanish
publishDate 2019-11-01
publisher Universidad Nacional de Lanús
record_format Article
series Perspectivas Metodológicas​
spelling doaj-art-cbe630ee763041b98f8c59e4b506cc3e2025-08-25T16:05:21ZspaUniversidad Nacional de LanúsPerspectivas Metodológicas​1666-30552618-41252019-11-01192310.18294/pm.2019.2660PAULO ASSIS, Logic of Experimentation: Rethinking Music Performance through Artistic ResearchAlejandro Brianzahttps://revistas.unla.edu.ar/epistemologia/article/view/2660Artmusicperformer
spellingShingle Alejandro Brianza
PAULO ASSIS, Logic of Experimentation: Rethinking Music Performance through Artistic Research
Perspectivas Metodológicas​
Art
music
performer
title PAULO ASSIS, Logic of Experimentation: Rethinking Music Performance through Artistic Research
title_full PAULO ASSIS, Logic of Experimentation: Rethinking Music Performance through Artistic Research
title_fullStr PAULO ASSIS, Logic of Experimentation: Rethinking Music Performance through Artistic Research
title_full_unstemmed PAULO ASSIS, Logic of Experimentation: Rethinking Music Performance through Artistic Research
title_short PAULO ASSIS, Logic of Experimentation: Rethinking Music Performance through Artistic Research
title_sort paulo assis logic of experimentation rethinking music performance through artistic research
topic Art
music
performer
url https://revistas.unla.edu.ar/epistemologia/article/view/2660
work_keys_str_mv AT alejandrobrianza pauloassislogicofexperimentationrethinkingmusicperformancethroughartisticresearch