La réception des films de la Nouvelle Vague dans le courrier des lecteurs de Cinémonde
In an attempt to find traces of female spectatorship in the letters to the editor published in the popular French weekly Cinémonde (1928–1966), the author chose the period (1959–1960) that coincided with the emergence of the Nouvelle Vague in cinema. She found among the regular (young) readers of th...
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| Format: | Article |
| Language: | fra |
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Université Laval
2014-02-01
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| Series: | Communication |
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| Online Access: | https://journals.openedition.org/communication/4951 |
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| _version_ | 1841553233905975296 |
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| author | Geneviève Sellier |
| author_facet | Geneviève Sellier |
| author_sort | Geneviève Sellier |
| collection | DOAJ |
| description | In an attempt to find traces of female spectatorship in the letters to the editor published in the popular French weekly Cinémonde (1928–1966), the author chose the period (1959–1960) that coincided with the emergence of the Nouvelle Vague in cinema. She found among the regular (young) readers of this popular magazine a swell of comments and exchanges. Selected quotes from these letters reveal that these moviegoers do articulate ethical and aesthetic points of view when commenting on the actors’ performance, the movie’s “lesson in life” and the innovative aspects of the direction. |
| format | Article |
| id | doaj-art-cbcb12ff646443c4b0dbb988a2f2fc03 |
| institution | Kabale University |
| issn | 1189-3788 1920-7344 |
| language | fra |
| publishDate | 2014-02-01 |
| publisher | Université Laval |
| record_format | Article |
| series | Communication |
| spelling | doaj-art-cbcb12ff646443c4b0dbb988a2f2fc032025-01-09T11:26:54ZfraUniversité LavalCommunication1189-37881920-73442014-02-0132110.4000/communication.4951La réception des films de la Nouvelle Vague dans le courrier des lecteurs de CinémondeGeneviève SellierIn an attempt to find traces of female spectatorship in the letters to the editor published in the popular French weekly Cinémonde (1928–1966), the author chose the period (1959–1960) that coincided with the emergence of the Nouvelle Vague in cinema. She found among the regular (young) readers of this popular magazine a swell of comments and exchanges. Selected quotes from these letters reveal that these moviegoers do articulate ethical and aesthetic points of view when commenting on the actors’ performance, the movie’s “lesson in life” and the innovative aspects of the direction.https://journals.openedition.org/communication/4951Francecinemafemale spectatorshipNouvelle Vagueweekly press |
| spellingShingle | Geneviève Sellier La réception des films de la Nouvelle Vague dans le courrier des lecteurs de Cinémonde Communication France cinema female spectatorship Nouvelle Vague weekly press |
| title | La réception des films de la Nouvelle Vague dans le courrier des lecteurs de Cinémonde |
| title_full | La réception des films de la Nouvelle Vague dans le courrier des lecteurs de Cinémonde |
| title_fullStr | La réception des films de la Nouvelle Vague dans le courrier des lecteurs de Cinémonde |
| title_full_unstemmed | La réception des films de la Nouvelle Vague dans le courrier des lecteurs de Cinémonde |
| title_short | La réception des films de la Nouvelle Vague dans le courrier des lecteurs de Cinémonde |
| title_sort | la reception des films de la nouvelle vague dans le courrier des lecteurs de cinemonde |
| topic | France cinema female spectatorship Nouvelle Vague weekly press |
| url | https://journals.openedition.org/communication/4951 |
| work_keys_str_mv | AT genevievesellier lareceptiondesfilmsdelanouvellevaguedanslecourrierdeslecteursdecinemonde |