Is it Moving? Arte Programmata on the Screen
How to keep track of the movement of a programmed work, real or virtual that it may be? This essay highlights the difficulties that kinetics artists had to face for the mediation of their kinetic or optical-dynamic objects, especially at the beginning of their experimental research. Going through so...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
University of Bologna
2024-12-01
|
| Series: | Cinergie |
| Subjects: | |
| Online Access: | https://cinergie.unibo.it/article/view/19397 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1841527463106052096 |
|---|---|
| author | Marta Previti |
| author_facet | Marta Previti |
| author_sort | Marta Previti |
| collection | DOAJ |
| description | How to keep track of the movement of a programmed work, real or virtual that it may be? This essay highlights the difficulties that kinetics artists had to face for the mediation of their kinetic or optical-dynamic objects, especially at the beginning of their experimental research. Going through some of the Gruppo N experiences with a new and inedited point of view, this paper intends to identify the link established by those artists with the audiovisual media. This exchange, little investigated so far, comes out from the need to get past the limits of the photographic media, which didn’t fit with the adequate reading of their works. |
| format | Article |
| id | doaj-art-cb809979214a463ebf1e87a7ead291e0 |
| institution | Kabale University |
| issn | 2280-9481 |
| language | English |
| publishDate | 2024-12-01 |
| publisher | University of Bologna |
| record_format | Article |
| series | Cinergie |
| spelling | doaj-art-cb809979214a463ebf1e87a7ead291e02025-01-15T15:08:47ZengUniversity of BolognaCinergie2280-94812024-12-012614916810.6092/issn.2280-9481/1939717762Is it Moving? Arte Programmata on the ScreenMarta Previti0University of PaduaHow to keep track of the movement of a programmed work, real or virtual that it may be? This essay highlights the difficulties that kinetics artists had to face for the mediation of their kinetic or optical-dynamic objects, especially at the beginning of their experimental research. Going through some of the Gruppo N experiences with a new and inedited point of view, this paper intends to identify the link established by those artists with the audiovisual media. This exchange, little investigated so far, comes out from the need to get past the limits of the photographic media, which didn’t fit with the adequate reading of their works.https://cinergie.unibo.it/article/view/19397programmed artgruppo nkineticscinematelevision |
| spellingShingle | Marta Previti Is it Moving? Arte Programmata on the Screen Cinergie programmed art gruppo n kinetics cinema television |
| title | Is it Moving? Arte Programmata on the Screen |
| title_full | Is it Moving? Arte Programmata on the Screen |
| title_fullStr | Is it Moving? Arte Programmata on the Screen |
| title_full_unstemmed | Is it Moving? Arte Programmata on the Screen |
| title_short | Is it Moving? Arte Programmata on the Screen |
| title_sort | is it moving arte programmata on the screen |
| topic | programmed art gruppo n kinetics cinema television |
| url | https://cinergie.unibo.it/article/view/19397 |
| work_keys_str_mv | AT martapreviti isitmovingarteprogrammataonthescreen |