La domestique comme figure de l’intersectionnalité dans le cinéma argentin : L’Enfant-poisson (Lucía Puenzo, 2009)

The objective of this work is to propose a study associating transfeminist theorization and filmic analysis of an Argentine film, The Fish Child, by Lucía Puenzo (2009) which portrays the figure of the domestic servant in an interracial and lesbian melodrama. My hypothesis is that the "mucama&q...

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Main Author: Laurence Mullaly
Format: Article
Language:English
Published: Association Française des Enseignants et Chercheurs en Cinéma et Audiovisuel 2023-07-01
Series:Mise au Point
Subjects:
Online Access:https://journals.openedition.org/map/6476
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author Laurence Mullaly
author_facet Laurence Mullaly
author_sort Laurence Mullaly
collection DOAJ
description The objective of this work is to propose a study associating transfeminist theorization and filmic analysis of an Argentine film, The Fish Child, by Lucía Puenzo (2009) which portrays the figure of the domestic servant in an interracial and lesbian melodrama. My hypothesis is that the "mucama", which is difficult to translate into French because it refers to a singular socio-historical reality, is the object of increasing attention in Latin American cinema, as well as in the field of social sciences, from a developing decolonial transfeminist perspective. The study of the film will attempt to highlight the representation of intersectionality, that is, the contextualized consideration of the intertwined nature of different forms of discrimination (race, class, gender) in Lucía Puenzo's representation, through her character of the mucama.
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spelling doaj-art-cab6dda3dd034b31a6063310bb8f764f2024-12-09T15:59:32ZengAssociation Française des Enseignants et Chercheurs en Cinéma et AudiovisuelMise au Point2261-96232023-07-011710.4000/map.6476La domestique comme figure de l’intersectionnalité dans le cinéma argentin : L’Enfant-poisson (Lucía Puenzo, 2009)Laurence MullalyThe objective of this work is to propose a study associating transfeminist theorization and filmic analysis of an Argentine film, The Fish Child, by Lucía Puenzo (2009) which portrays the figure of the domestic servant in an interracial and lesbian melodrama. My hypothesis is that the "mucama", which is difficult to translate into French because it refers to a singular socio-historical reality, is the object of increasing attention in Latin American cinema, as well as in the field of social sciences, from a developing decolonial transfeminist perspective. The study of the film will attempt to highlight the representation of intersectionality, that is, the contextualized consideration of the intertwined nature of different forms of discrimination (race, class, gender) in Lucía Puenzo's representation, through her character of the mucama.https://journals.openedition.org/map/6476intersectionalityArgentine cinemafeminist and gender studiesdomestic servantlesbianism
spellingShingle Laurence Mullaly
La domestique comme figure de l’intersectionnalité dans le cinéma argentin : L’Enfant-poisson (Lucía Puenzo, 2009)
Mise au Point
intersectionality
Argentine cinema
feminist and gender studies
domestic servant
lesbianism
title La domestique comme figure de l’intersectionnalité dans le cinéma argentin : L’Enfant-poisson (Lucía Puenzo, 2009)
title_full La domestique comme figure de l’intersectionnalité dans le cinéma argentin : L’Enfant-poisson (Lucía Puenzo, 2009)
title_fullStr La domestique comme figure de l’intersectionnalité dans le cinéma argentin : L’Enfant-poisson (Lucía Puenzo, 2009)
title_full_unstemmed La domestique comme figure de l’intersectionnalité dans le cinéma argentin : L’Enfant-poisson (Lucía Puenzo, 2009)
title_short La domestique comme figure de l’intersectionnalité dans le cinéma argentin : L’Enfant-poisson (Lucía Puenzo, 2009)
title_sort la domestique comme figure de l intersectionnalite dans le cinema argentin l enfant poisson lucia puenzo 2009
topic intersectionality
Argentine cinema
feminist and gender studies
domestic servant
lesbianism
url https://journals.openedition.org/map/6476
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