Féerie pour un scandale : l’art et la morale dans Lolita (1958) de Vladimir Nabokov

The moral apotheosis of the narrator-character Humbert Humbert consists in the narrative of transgressive acts like pedophilia and incest. How is it possible for the writer first, and then the reader, to reconcile art and morality ? In the preface to Lolita, V. Nabokov impersonates the fictive John...

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Main Author: Jacques Sohier
Format: Article
Language:English
Published: Presses universitaires de Rennes 2015-03-01
Series:Revue LISA
Online Access:https://journals.openedition.org/lisa/7182
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author Jacques Sohier
author_facet Jacques Sohier
author_sort Jacques Sohier
collection DOAJ
description The moral apotheosis of the narrator-character Humbert Humbert consists in the narrative of transgressive acts like pedophilia and incest. How is it possible for the writer first, and then the reader, to reconcile art and morality ? In the preface to Lolita, V. Nabokov impersonates the fictive John Ray and looks at transgression with both a moral and clinical intent. In the postface to the novel written by V. Nabokov himself, the writer affirms his aesthetics and claims that his novel has no moral in tow. A close reading of this preface shows a writer on the defensive in the face of a persisting scandal. Poetical options are carefully explained to the reader. Thus aesthetic bliss comes foremost transcending moralism. Nabokov shows himself a rigorous formalist insisting on the purity of art and its disconnection from ethics. A dialectic defending perversion causes the reader to shake in his/her moral foundation. The specious reasoning of the narrator makes Lolita a masterpiece of casuistry. Lolita creates a utopia beyond good and evil where the freedom of the reader can find in the sanctuary of art the proper place to exercise itself.
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spelling doaj-art-cab0a5fa79134ef89d95f9be11e70ec92025-01-06T09:02:53ZengPresses universitaires de RennesRevue LISA1762-61532015-03-0110.4000/lisa.7182Féerie pour un scandale : l’art et la morale dans Lolita (1958) de Vladimir NabokovJacques SohierThe moral apotheosis of the narrator-character Humbert Humbert consists in the narrative of transgressive acts like pedophilia and incest. How is it possible for the writer first, and then the reader, to reconcile art and morality ? In the preface to Lolita, V. Nabokov impersonates the fictive John Ray and looks at transgression with both a moral and clinical intent. In the postface to the novel written by V. Nabokov himself, the writer affirms his aesthetics and claims that his novel has no moral in tow. A close reading of this preface shows a writer on the defensive in the face of a persisting scandal. Poetical options are carefully explained to the reader. Thus aesthetic bliss comes foremost transcending moralism. Nabokov shows himself a rigorous formalist insisting on the purity of art and its disconnection from ethics. A dialectic defending perversion causes the reader to shake in his/her moral foundation. The specious reasoning of the narrator makes Lolita a masterpiece of casuistry. Lolita creates a utopia beyond good and evil where the freedom of the reader can find in the sanctuary of art the proper place to exercise itself.https://journals.openedition.org/lisa/7182
spellingShingle Jacques Sohier
Féerie pour un scandale : l’art et la morale dans Lolita (1958) de Vladimir Nabokov
Revue LISA
title Féerie pour un scandale : l’art et la morale dans Lolita (1958) de Vladimir Nabokov
title_full Féerie pour un scandale : l’art et la morale dans Lolita (1958) de Vladimir Nabokov
title_fullStr Féerie pour un scandale : l’art et la morale dans Lolita (1958) de Vladimir Nabokov
title_full_unstemmed Féerie pour un scandale : l’art et la morale dans Lolita (1958) de Vladimir Nabokov
title_short Féerie pour un scandale : l’art et la morale dans Lolita (1958) de Vladimir Nabokov
title_sort feerie pour un scandale l art et la morale dans lolita 1958 de vladimir nabokov
url https://journals.openedition.org/lisa/7182
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