Sounding Difference: Paul Muldoon’s “The Lass of Aughrim”

In the present paper, I focus on a single short poem “The Lass of Aughrim” by Paul Muldoon with a view to showing that it invites the reader to participate in the process of approaching in language the foreignness of another culture. The persona depicts a situation in which an ethical choice is v...

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Main Author: Wit Pietrzak
Format: Article
Language:English
Published: Institute of English Studies 2017-10-01
Series:Anglica. An International Journal of English Studies
Subjects:
Online Access:http://www.anglica.ia.uw.edu.pl/images/pdf/26-1-articles/Anglica_26-1_WPietrzak_119-129.pdf
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author Wit Pietrzak
author_facet Wit Pietrzak
author_sort Wit Pietrzak
collection DOAJ
description In the present paper, I focus on a single short poem “The Lass of Aughrim” by Paul Muldoon with a view to showing that it invites the reader to participate in the process of approaching in language the foreignness of another culture. The persona depicts a situation in which an ethical choice is vested in the act of speaking, which either acknowledges the irreducible otherness implicit in the poem or imposes an essentially colonial point of view. The ethical dimension as it is probed here is derived from some insights of Jacques Derrida, especially his lectures delivered in the 1990s.
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series Anglica. An International Journal of English Studies
spelling doaj-art-c9e3f1f2b1644f94a09ac5122efd6db42025-01-02T02:54:23ZengInstitute of English StudiesAnglica. An International Journal of English Studies0860-57340860-57342017-10-01261119129Sounding Difference: Paul Muldoon’s “The Lass of Aughrim”Wit Pietrzak0University of ŁódźIn the present paper, I focus on a single short poem “The Lass of Aughrim” by Paul Muldoon with a view to showing that it invites the reader to participate in the process of approaching in language the foreignness of another culture. The persona depicts a situation in which an ethical choice is vested in the act of speaking, which either acknowledges the irreducible otherness implicit in the poem or imposes an essentially colonial point of view. The ethical dimension as it is probed here is derived from some insights of Jacques Derrida, especially his lectures delivered in the 1990s.http://www.anglica.ia.uw.edu.pl/images/pdf/26-1-articles/Anglica_26-1_WPietrzak_119-129.pdfPaul Maldoonforeignnessethicsdeconstruction
spellingShingle Wit Pietrzak
Sounding Difference: Paul Muldoon’s “The Lass of Aughrim”
Anglica. An International Journal of English Studies
Paul Maldoon
foreignness
ethics
deconstruction
title Sounding Difference: Paul Muldoon’s “The Lass of Aughrim”
title_full Sounding Difference: Paul Muldoon’s “The Lass of Aughrim”
title_fullStr Sounding Difference: Paul Muldoon’s “The Lass of Aughrim”
title_full_unstemmed Sounding Difference: Paul Muldoon’s “The Lass of Aughrim”
title_short Sounding Difference: Paul Muldoon’s “The Lass of Aughrim”
title_sort sounding difference paul muldoon s the lass of aughrim
topic Paul Maldoon
foreignness
ethics
deconstruction
url http://www.anglica.ia.uw.edu.pl/images/pdf/26-1-articles/Anglica_26-1_WPietrzak_119-129.pdf
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