Youtubeurs et webséries : un temps pour commenter
This temporalist analysis explores comments left on the margins of webseries and vlogs through their temporal dimensions (time of publication, content and dynamics) and the games of temporality they introduce into the viewing experience. The purposes of these comments vary over the exchanges: open t...
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Format: | Article |
Language: | English |
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Université du Québec à Montréal
2019-12-01
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Series: | Communiquer |
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Online Access: | https://journals.openedition.org/communiquer/4551 |
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author | Jean Châteauvert |
author_facet | Jean Châteauvert |
author_sort | Jean Châteauvert |
collection | DOAJ |
description | This temporalist analysis explores comments left on the margins of webseries and vlogs through their temporal dimensions (time of publication, content and dynamics) and the games of temporality they introduce into the viewing experience. The purposes of these comments vary over the exchanges: open the exchanges, react to the publication or video, comment a personal experience or squatte these exchanges to divert users to new platforms. During the exchanges, the comments participate in momentum which translate in movements animating the social networks over time. The user finds in these time frames occasions for exchanges where he defines his use of his viewing experience which becomes a moment of expression of a digital identity. |
format | Article |
id | doaj-art-c9b0af170c1c402fa9169b399d07079f |
institution | Kabale University |
issn | 2368-9587 |
language | English |
publishDate | 2019-12-01 |
publisher | Université du Québec à Montréal |
record_format | Article |
series | Communiquer |
spelling | doaj-art-c9b0af170c1c402fa9169b399d07079f2025-01-13T13:44:05ZengUniversité du Québec à MontréalCommuniquer2368-95872019-12-0127133410.4000/communiquer.4551Youtubeurs et webséries : un temps pour commenterJean ChâteauvertThis temporalist analysis explores comments left on the margins of webseries and vlogs through their temporal dimensions (time of publication, content and dynamics) and the games of temporality they introduce into the viewing experience. The purposes of these comments vary over the exchanges: open the exchanges, react to the publication or video, comment a personal experience or squatte these exchanges to divert users to new platforms. During the exchanges, the comments participate in momentum which translate in movements animating the social networks over time. The user finds in these time frames occasions for exchanges where he defines his use of his viewing experience which becomes a moment of expression of a digital identity.https://journals.openedition.org/communiquer/4551audiovisual on the webaudiovisual practiceonline commentarysemi-pragmatictemporal analysisuse of the web |
spellingShingle | Jean Châteauvert Youtubeurs et webséries : un temps pour commenter Communiquer audiovisual on the web audiovisual practice online commentary semi-pragmatic temporal analysis use of the web |
title | Youtubeurs et webséries : un temps pour commenter |
title_full | Youtubeurs et webséries : un temps pour commenter |
title_fullStr | Youtubeurs et webséries : un temps pour commenter |
title_full_unstemmed | Youtubeurs et webséries : un temps pour commenter |
title_short | Youtubeurs et webséries : un temps pour commenter |
title_sort | youtubeurs et webseries un temps pour commenter |
topic | audiovisual on the web audiovisual practice online commentary semi-pragmatic temporal analysis use of the web |
url | https://journals.openedition.org/communiquer/4551 |
work_keys_str_mv | AT jeanchateauvert youtubeursetwebseriesuntempspourcommenter |