Le « Goût de la Justice » : la politique artistique de la Chancellerie (1800-1962)
This article interrogates the existence of a specific artistic policy to the Ministry of Justice. The circuit of ordering or attributing works involves many actors: Fine Arts administration, architects, Keepers of the Seals. This diversity is not without problems in this policy translation. Despite...
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| Format: | Article |
| Language: | fra |
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Ministère de la Culture et de la Communication
2022-08-01
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| Series: | In Situ |
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| Online Access: | https://journals.openedition.org/insitu/35482 |
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| _version_ | 1846133130347413504 |
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| author | Thomas Deshayes |
| author_facet | Thomas Deshayes |
| author_sort | Thomas Deshayes |
| collection | DOAJ |
| description | This article interrogates the existence of a specific artistic policy to the Ministry of Justice. The circuit of ordering or attributing works involves many actors: Fine Arts administration, architects, Keepers of the Seals. This diversity is not without problems in this policy translation. Despite the undeniable aesthetic successes, the difficulty of defining, and preserving throughout time, an iconography of Justice particular to the Chancellery action is problematic. Through works still seen at Place Vendôme and those now preserved elsewhere, the question of Justice’s taste is raised. |
| format | Article |
| id | doaj-art-c9ad9c39d0a34436b080f92fcce9a991 |
| institution | Kabale University |
| issn | 1630-7305 |
| language | fra |
| publishDate | 2022-08-01 |
| publisher | Ministère de la Culture et de la Communication |
| record_format | Article |
| series | In Situ |
| spelling | doaj-art-c9ad9c39d0a34436b080f92fcce9a9912024-12-09T14:08:44ZfraMinistère de la Culture et de la CommunicationIn Situ1630-73052022-08-014810.4000/insitu.35482Le « Goût de la Justice » : la politique artistique de la Chancellerie (1800-1962)Thomas DeshayesThis article interrogates the existence of a specific artistic policy to the Ministry of Justice. The circuit of ordering or attributing works involves many actors: Fine Arts administration, architects, Keepers of the Seals. This diversity is not without problems in this policy translation. Despite the undeniable aesthetic successes, the difficulty of defining, and preserving throughout time, an iconography of Justice particular to the Chancellery action is problematic. Through works still seen at Place Vendôme and those now preserved elsewhere, the question of Justice’s taste is raised.https://journals.openedition.org/insitu/35482iconographyartistsart and architecturepublic commissionchancelleryartistic policy |
| spellingShingle | Thomas Deshayes Le « Goût de la Justice » : la politique artistique de la Chancellerie (1800-1962) In Situ iconography artists art and architecture public commission chancellery artistic policy |
| title | Le « Goût de la Justice » : la politique artistique de la Chancellerie (1800-1962) |
| title_full | Le « Goût de la Justice » : la politique artistique de la Chancellerie (1800-1962) |
| title_fullStr | Le « Goût de la Justice » : la politique artistique de la Chancellerie (1800-1962) |
| title_full_unstemmed | Le « Goût de la Justice » : la politique artistique de la Chancellerie (1800-1962) |
| title_short | Le « Goût de la Justice » : la politique artistique de la Chancellerie (1800-1962) |
| title_sort | le gout de la justice la politique artistique de la chancellerie 1800 1962 |
| topic | iconography artists art and architecture public commission chancellery artistic policy |
| url | https://journals.openedition.org/insitu/35482 |
| work_keys_str_mv | AT thomasdeshayes legoutdelajusticelapolitiqueartistiquedelachancellerie18001962 |