İbretnüma (2009) in the context of shadow play representation language with a feminist approach
Istanbul-born visual artist and activist Canan Şenol, also known as Canan (1970-), produced the video animation İbretnüma (2009), which tells the story of a young girl who moves from an Anatolian village to a big city. Using a contemporary art approach, the work incorporates...
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| Format: | Article |
| Language: | English |
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Mardin Artuklu University
2024-12-01
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| Series: | ARTS: Artuklu Sanat ve Beşeri Bilimler Dergisi |
| Online Access: | https://dergipark.org.tr/tr/doi/10.46372/arts.1520946 |
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| author | Berceste Gülçin Özdemir Nilay Ulusoy |
| author_facet | Berceste Gülçin Özdemir Nilay Ulusoy |
| author_sort | Berceste Gülçin Özdemir |
| collection | DOAJ |
| description |
Istanbul-born visual artist and activist Canan Şenol, also known as Canan (1970-), produced the video animation İbretnüma (2009), which tells the story of a young girl who moves from an Anatolian village to a big city. Using a contemporary art approach, the work incorporates representations that influence traditional Turkish art. The video animation features a diverse range of visuals, including traditional Turkish shadow play, largely derived from original artifacts and combined with collage elements, to represent the female body in all its aspects. By subverting patriarchal ideologies and the non-verbal restrictions imposed on women during Turkey’s modernization process, the work synthesizes avant-garde and feminist approaches in its representation techniques, blending traditional and contemporary art forms. This allows for an examination of the female character’s position in both public and private spheres, informed by feminist film theory and the concepts explored in the work. |
| format | Article |
| id | doaj-art-c97da5d964b14e129e9e10f31bbde18b |
| institution | Kabale University |
| issn | 2687-1890 |
| language | English |
| publishDate | 2024-12-01 |
| publisher | Mardin Artuklu University |
| record_format | Article |
| series | ARTS: Artuklu Sanat ve Beşeri Bilimler Dergisi |
| spelling | doaj-art-c97da5d964b14e129e9e10f31bbde18b2025-01-12T09:17:45ZengMardin Artuklu UniversityARTS: Artuklu Sanat ve Beşeri Bilimler Dergisi2687-18902024-12-01Çağdaş sanat özel sayısı72510.46372/arts.1520946 İbretnüma (2009) in the context of shadow play representation language with a feminist approach Berceste Gülçin Özdemir0https://orcid.org/0000-0002-3742-2739Nilay Ulusoy1https://orcid.org/0000-0002-2176-7003İstanbul ÜniversitesiBAHÇEŞEHİR ÜNİVERSİTESİ, İLETİŞİM FAKÜLTESİ Istanbul-born visual artist and activist Canan Şenol, also known as Canan (1970-), produced the video animation İbretnüma (2009), which tells the story of a young girl who moves from an Anatolian village to a big city. Using a contemporary art approach, the work incorporates representations that influence traditional Turkish art. The video animation features a diverse range of visuals, including traditional Turkish shadow play, largely derived from original artifacts and combined with collage elements, to represent the female body in all its aspects. By subverting patriarchal ideologies and the non-verbal restrictions imposed on women during Turkey’s modernization process, the work synthesizes avant-garde and feminist approaches in its representation techniques, blending traditional and contemporary art forms. This allows for an examination of the female character’s position in both public and private spheres, informed by feminist film theory and the concepts explored in the work.https://dergipark.org.tr/tr/doi/10.46372/arts.1520946 |
| spellingShingle | Berceste Gülçin Özdemir Nilay Ulusoy İbretnüma (2009) in the context of shadow play representation language with a feminist approach ARTS: Artuklu Sanat ve Beşeri Bilimler Dergisi |
| title |
İbretnüma (2009) in the context of shadow play representation language with a feminist approach
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| title_full |
İbretnüma (2009) in the context of shadow play representation language with a feminist approach
|
| title_fullStr |
İbretnüma (2009) in the context of shadow play representation language with a feminist approach
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| title_full_unstemmed |
İbretnüma (2009) in the context of shadow play representation language with a feminist approach
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| title_short |
İbretnüma (2009) in the context of shadow play representation language with a feminist approach
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| title_sort | ibretnuma 2009 in the context of shadow play representation language with a feminist approach |
| url | https://dergipark.org.tr/tr/doi/10.46372/arts.1520946 |
| work_keys_str_mv | AT bercestegulcinozdemir ibretnuma2009inthecontextofshadowplayrepresentationlanguagewithafeministapproach AT nilayulusoy ibretnuma2009inthecontextofshadowplayrepresentationlanguagewithafeministapproach |