Пространства Марины Цветаевой

The hallmarks of space in Tsvetaeva’s poetic world are vertical orientation, two-worldness (many-worldness), measurability, and “immensity”, often expressed by asymmetry. Tsvetaeva’s model of the double world is presented both in its pure form and in a multilayer one (the model of “matryoshka” accor...

Full description

Saved in:
Bibliographic Details
Main Author: Roman Voitekhovich
Format: Article
Language:deu
Published: Adam Mickiewicz University in Poznań 2021-10-01
Series:Studia Rossica Posnaniensia
Subjects:
Online Access:https://pressto.amu.edu.pl/index.php/strp/article/view/29615
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1841562500657577984
author Roman Voitekhovich
author_facet Roman Voitekhovich
author_sort Roman Voitekhovich
collection DOAJ
description The hallmarks of space in Tsvetaeva’s poetic world are vertical orientation, two-worldness (many-worldness), measurability, and “immensity”, often expressed by asymmetry. Tsvetaeva’s model of the double world is presented both in its pure form and in a multilayer one (the model of “matryoshka” according to Lotman) with a hierarchical vertical correlation of spaces. The vertical sets the plots, stylistics, system of characters, system of time and expectations of the reader. Tsvetaeva is a bright representative of irrational tendencies in art, which manifest themselves against the background of rational ones, through their violation. Thus, The Attempt of a Room (1926) builds on an imaginary effort to present a hexagonal box of a rendezvous, but fails. The last poem I Keep Repeating the First Verse… (1940) is a poetic reaction to the “mistake in counting”: there should be not six but seven souls at the table. In one of her poems, Tsvetaeva calls herself “one who has edited the miracle with numbers”. This formula aphoristically expresses the nature of creativity as first intuitive search, and then rational design. The mathematical calculation of the composition of her books is an analogue of the metric-stanzaic “frame” of her lyrics. In the given proportions she often uses a deliberate failure by one unit (for example, in the collection From Two Books she adds one extra poem, which was originally missing in these two books).
format Article
id doaj-art-c9604a2e02f94b3b8104742b7dbdcb36
institution Kabale University
issn 0081-6884
language deu
publishDate 2021-10-01
publisher Adam Mickiewicz University in Poznań
record_format Article
series Studia Rossica Posnaniensia
spelling doaj-art-c9604a2e02f94b3b8104742b7dbdcb362025-01-03T00:55:27ZdeuAdam Mickiewicz University in PoznańStudia Rossica Posnaniensia0081-68842021-10-0146210.14746/strp.2021.46.2.3Пространства Марины ЦветаевойRoman Voitekhovich0University of TartuThe hallmarks of space in Tsvetaeva’s poetic world are vertical orientation, two-worldness (many-worldness), measurability, and “immensity”, often expressed by asymmetry. Tsvetaeva’s model of the double world is presented both in its pure form and in a multilayer one (the model of “matryoshka” according to Lotman) with a hierarchical vertical correlation of spaces. The vertical sets the plots, stylistics, system of characters, system of time and expectations of the reader. Tsvetaeva is a bright representative of irrational tendencies in art, which manifest themselves against the background of rational ones, through their violation. Thus, The Attempt of a Room (1926) builds on an imaginary effort to present a hexagonal box of a rendezvous, but fails. The last poem I Keep Repeating the First Verse… (1940) is a poetic reaction to the “mistake in counting”: there should be not six but seven souls at the table. In one of her poems, Tsvetaeva calls herself “one who has edited the miracle with numbers”. This formula aphoristically expresses the nature of creativity as first intuitive search, and then rational design. The mathematical calculation of the composition of her books is an analogue of the metric-stanzaic “frame” of her lyrics. In the given proportions she often uses a deliberate failure by one unit (for example, in the collection From Two Books she adds one extra poem, which was originally missing in these two books).https://pressto.amu.edu.pl/index.php/strp/article/view/29615Tsvetaevaspacedualitynumbercomposition
spellingShingle Roman Voitekhovich
Пространства Марины Цветаевой
Studia Rossica Posnaniensia
Tsvetaeva
space
duality
number
composition
title Пространства Марины Цветаевой
title_full Пространства Марины Цветаевой
title_fullStr Пространства Марины Цветаевой
title_full_unstemmed Пространства Марины Цветаевой
title_short Пространства Марины Цветаевой
title_sort пространства марины цветаевой
topic Tsvetaeva
space
duality
number
composition
url https://pressto.amu.edu.pl/index.php/strp/article/view/29615
work_keys_str_mv AT romanvoitekhovich prostranstvamarinycvetaevoj