La mise en scène de la Lorraine au cinéma

This study is the result of research that examines depictions of France’s Grand Est administrative region in French fictional film. The themes of these films coincide with the communicational challenges facing public stakeholders—particularly the need to establish the new region’s identity while con...

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Main Authors: Delphine Le Nozach, Violaine Appel
Format: Article
Language:fra
Published: Université Laval 2021-11-01
Series:Communication
Subjects:
Online Access:https://journals.openedition.org/communication/14222
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author Delphine Le Nozach
Violaine Appel
author_facet Delphine Le Nozach
Violaine Appel
author_sort Delphine Le Nozach
collection DOAJ
description This study is the result of research that examines depictions of France’s Grand Est administrative region in French fictional film. The themes of these films coincide with the communicational challenges facing public stakeholders—particularly the need to establish the new region’s identity while continuing to promote the specificities and assets of the Grand Est’s four constitutive regions (Alsace, Champagne, Ardenne, and Lorraine). The authors look at portrayals of Lorraine by local filmmakers. By studying their films and decoding their discourse, the authors reveal how Lorraine’s specific characteristics as a region are presented in film and identify a typology of three markers of regionality in film: society and culture, history, and memory.
format Article
id doaj-art-c7f9ec2a0c9a48f59582d1b3c00615be
institution Kabale University
issn 1189-3788
1920-7344
language fra
publishDate 2021-11-01
publisher Université Laval
record_format Article
series Communication
spelling doaj-art-c7f9ec2a0c9a48f59582d1b3c00615be2025-01-09T11:27:35ZfraUniversité LavalCommunication1189-37881920-73442021-11-0138210.4000/communication.14222La mise en scène de la Lorraine au cinémaDelphine Le NozachViolaine AppelThis study is the result of research that examines depictions of France’s Grand Est administrative region in French fictional film. The themes of these films coincide with the communicational challenges facing public stakeholders—particularly the need to establish the new region’s identity while continuing to promote the specificities and assets of the Grand Est’s four constitutive regions (Alsace, Champagne, Ardenne, and Lorraine). The authors look at portrayals of Lorraine by local filmmakers. By studying their films and decoding their discourse, the authors reveal how Lorraine’s specific characteristics as a region are presented in film and identify a typology of three markers of regionality in film: society and culture, history, and memory.https://journals.openedition.org/communication/14222fictionFrancecinemaregionality in filmmarkers
spellingShingle Delphine Le Nozach
Violaine Appel
La mise en scène de la Lorraine au cinéma
Communication
fiction
France
cinema
regionality in film
markers
title La mise en scène de la Lorraine au cinéma
title_full La mise en scène de la Lorraine au cinéma
title_fullStr La mise en scène de la Lorraine au cinéma
title_full_unstemmed La mise en scène de la Lorraine au cinéma
title_short La mise en scène de la Lorraine au cinéma
title_sort la mise en scene de la lorraine au cinema
topic fiction
France
cinema
regionality in film
markers
url https://journals.openedition.org/communication/14222
work_keys_str_mv AT delphinelenozach lamiseenscenedelalorraineaucinema
AT violaineappel lamiseenscenedelalorraineaucinema