Kočka a chrt: derridovská poznámka k estetice zvířat

The starting point of our thinking is not only the post-human questioning of the animal – the “animot” – opened by Jacques Derrida in L’Animal que donc je suis and the actualization of the problem of logocentrism, but also the theme of the thinking of the other, or rather the “infinitely other” who...

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Main Author: Kolář, Martin
Format: Article
Language:ces
Published: Czech Academy of Sciences, Institute of Philosophy 2024-12-01
Series:Filosofický časopis
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author Kolář, Martin
author_facet Kolář, Martin
author_sort Kolář, Martin
collection DOAJ
description The starting point of our thinking is not only the post-human questioning of the animal – the “animot” – opened by Jacques Derrida in L’Animal que donc je suis and the actualization of the problem of logocentrism, but also the theme of the thinking of the other, or rather the “infinitely other” who is looking at me. And this also in the sense of a certain Lacanian notion of the mirror. Therefore, we will also focus on the problem of the gaze, the eye and the image in the sense of separation, as Michaela Fischer writes about it in Fragmentární vidění. Rancière, Derrida, Nancy (Fragmentary Vision. Rancière, Derrida, Nancy), and the making present of seeing, re-presentation and a certain archaeology and nostalgia from the point of view of Derrida in Mémoires d’aveugle. L’autoportrait et autres ruines. Our guides for this wandering about in the post-human world will be John D. Caputo’s The Prayers and Tears of Jacques Derrida, as well as Jacques Derrida’s cat and Michaela Fischer’s greyhound.
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spelling doaj-art-c6e1d922ce164d23a56b5572b2f9367b2025-01-10T17:02:32ZcesCzech Academy of Sciences, Institute of PhilosophyFilosofický časopis0015-18312570-92322024-12-0172Mimořádné číslo 214515010.46854/fc.2024.2s.145Kočka a chrt: derridovská poznámka k estetice zvířatKolář, MartinThe starting point of our thinking is not only the post-human questioning of the animal – the “animot” – opened by Jacques Derrida in L’Animal que donc je suis and the actualization of the problem of logocentrism, but also the theme of the thinking of the other, or rather the “infinitely other” who is looking at me. And this also in the sense of a certain Lacanian notion of the mirror. Therefore, we will also focus on the problem of the gaze, the eye and the image in the sense of separation, as Michaela Fischer writes about it in Fragmentární vidění. Rancière, Derrida, Nancy (Fragmentary Vision. Rancière, Derrida, Nancy), and the making present of seeing, re-presentation and a certain archaeology and nostalgia from the point of view of Derrida in Mémoires d’aveugle. L’autoportrait et autres ruines. Our guides for this wandering about in the post-human world will be John D. Caputo’s The Prayers and Tears of Jacques Derrida, as well as Jacques Derrida’s cat and Michaela Fischer’s greyhound.animotanimalcateyerepresentationvision
spellingShingle Kolář, Martin
Kočka a chrt: derridovská poznámka k estetice zvířat
Filosofický časopis
animot
animal
cat
eye
representation
vision
title Kočka a chrt: derridovská poznámka k estetice zvířat
title_full Kočka a chrt: derridovská poznámka k estetice zvířat
title_fullStr Kočka a chrt: derridovská poznámka k estetice zvířat
title_full_unstemmed Kočka a chrt: derridovská poznámka k estetice zvířat
title_short Kočka a chrt: derridovská poznámka k estetice zvířat
title_sort kocka a chrt derridovska poznamka k estetice zvirat
topic animot
animal
cat
eye
representation
vision
work_keys_str_mv AT kolarmartin kockaachrtderridovskapoznamkakesteticezvirat