À la lettre (près) : autoportraits de Ralph Eugene Meatyard
This paper proposes to question American photographer Ralph Eugene Meatyard’s tendency to integrate various manifestations of the written sign into a number of his self-portraits. To what extent does the mediation of scriptural forms (if indeed “mediation” is the appropriate term) influence the mode...
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| Format: | Article |
| Language: | English |
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Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)
2023-06-01
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| Series: | E-REA |
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| Online Access: | https://journals.openedition.org/erea/16529 |
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| author | Jean-Marc VICTOR |
| author_facet | Jean-Marc VICTOR |
| author_sort | Jean-Marc VICTOR |
| collection | DOAJ |
| description | This paper proposes to question American photographer Ralph Eugene Meatyard’s tendency to integrate various manifestations of the written sign into a number of his self-portraits. To what extent does the mediation of scriptural forms (if indeed “mediation” is the appropriate term) influence the modes of photographic self-representation as the relation between what can be seen and what can be read in these self-portraits seems to oscillate between equivalence, substitution, complementarity and interference? After a short reminder of the theoretical and historical links between photographic self-portraits and writing, five of such self-portraits by Meatyard are analyzed in order to shed light on this issue. |
| format | Article |
| id | doaj-art-c6d70263b5924f7dbc1327f9f1ef4331 |
| institution | Kabale University |
| issn | 1638-1718 |
| language | English |
| publishDate | 2023-06-01 |
| publisher | Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA) |
| record_format | Article |
| series | E-REA |
| spelling | doaj-art-c6d70263b5924f7dbc1327f9f1ef43312025-01-09T12:53:08ZengLaboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)E-REA1638-17182023-06-0120210.4000/erea.16529À la lettre (près) : autoportraits de Ralph Eugene MeatyardJean-Marc VICTORThis paper proposes to question American photographer Ralph Eugene Meatyard’s tendency to integrate various manifestations of the written sign into a number of his self-portraits. To what extent does the mediation of scriptural forms (if indeed “mediation” is the appropriate term) influence the modes of photographic self-representation as the relation between what can be seen and what can be read in these self-portraits seems to oscillate between equivalence, substitution, complementarity and interference? After a short reminder of the theoretical and historical links between photographic self-portraits and writing, five of such self-portraits by Meatyard are analyzed in order to shed light on this issue.https://journals.openedition.org/erea/16529intermedialityRalph Eugene Meatyardphotographic self-portrait |
| spellingShingle | Jean-Marc VICTOR À la lettre (près) : autoportraits de Ralph Eugene Meatyard E-REA intermediality Ralph Eugene Meatyard photographic self-portrait |
| title | À la lettre (près) : autoportraits de Ralph Eugene Meatyard |
| title_full | À la lettre (près) : autoportraits de Ralph Eugene Meatyard |
| title_fullStr | À la lettre (près) : autoportraits de Ralph Eugene Meatyard |
| title_full_unstemmed | À la lettre (près) : autoportraits de Ralph Eugene Meatyard |
| title_short | À la lettre (près) : autoportraits de Ralph Eugene Meatyard |
| title_sort | a la lettre pres autoportraits de ralph eugene meatyard |
| topic | intermediality Ralph Eugene Meatyard photographic self-portrait |
| url | https://journals.openedition.org/erea/16529 |
| work_keys_str_mv | AT jeanmarcvictor alalettrepresautoportraitsderalpheugenemeatyard |