Wacana Kecantikan dan Body Image Perempuan di Jepang dalam Akun Instagram La Farfa Magazine

Women's magazines in Japan play a major role in the formation of a discourse that emerges and is normalized in society. This research was conducted using descriptive qualitative method  and Visual Methodology Theory of  Gillian Rose is used to analyze how La Farfa Magazine in its Instagram soci...

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Main Authors: Farissa Meidhita Irsantri, Esther Risma Purba
Format: Article
Language:English
Published: Universitas Udayana 2024-11-01
Series:Humanis
Online Access:https://ojs.unud.ac.id/index.php/sastra/article/view/113212
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author Farissa Meidhita Irsantri
Esther Risma Purba
author_facet Farissa Meidhita Irsantri
Esther Risma Purba
author_sort Farissa Meidhita Irsantri
collection DOAJ
description Women's magazines in Japan play a major role in the formation of a discourse that emerges and is normalized in society. This research was conducted using descriptive qualitative method  and Visual Methodology Theory of  Gillian Rose is used to analyze how La Farfa Magazine in its Instagram social media has values, signs, and context meanings. A comparison with Non-no magazine, which is the dominant beauty and body image reference in Japan, was conducted to highlight La Farfa's differences with mainstream beauty media. The research found that La Farfa Magazine (@lafarfa_jp) has 6 aspects of difference that stand out, namely followers/followers, posts, comments, likes/likes, captions, and models used. The use of idols Naomi Watanabe, Kayo Noro, and news anchor at Nihon Television further expanded the discourse of plus-size beauty by no longer being limited to models to sell fashion for profit.
format Article
id doaj-art-c673e2929e984763875b951b74fb5947
institution Kabale University
issn 2528-5076
2302-920X
language English
publishDate 2024-11-01
publisher Universitas Udayana
record_format Article
series Humanis
spelling doaj-art-c673e2929e984763875b951b74fb59472025-01-05T12:56:28ZengUniversitas UdayanaHumanis2528-50762302-920X2024-11-0128447349510.24843/JH.2024.v28.i04.p05113212Wacana Kecantikan dan Body Image Perempuan di Jepang dalam Akun Instagram La Farfa MagazineFarissa Meidhita Irsantri0Esther Risma Purba1Universitas Brawijaya, Kota Malang, Jawa Timur, IndonesiaUniversitas Brawijaya, Kota Malang, Jawa Timur, IndonesiaWomen's magazines in Japan play a major role in the formation of a discourse that emerges and is normalized in society. This research was conducted using descriptive qualitative method  and Visual Methodology Theory of  Gillian Rose is used to analyze how La Farfa Magazine in its Instagram social media has values, signs, and context meanings. A comparison with Non-no magazine, which is the dominant beauty and body image reference in Japan, was conducted to highlight La Farfa's differences with mainstream beauty media. The research found that La Farfa Magazine (@lafarfa_jp) has 6 aspects of difference that stand out, namely followers/followers, posts, comments, likes/likes, captions, and models used. The use of idols Naomi Watanabe, Kayo Noro, and news anchor at Nihon Television further expanded the discourse of plus-size beauty by no longer being limited to models to sell fashion for profit.https://ojs.unud.ac.id/index.php/sastra/article/view/113212
spellingShingle Farissa Meidhita Irsantri
Esther Risma Purba
Wacana Kecantikan dan Body Image Perempuan di Jepang dalam Akun Instagram La Farfa Magazine
Humanis
title Wacana Kecantikan dan Body Image Perempuan di Jepang dalam Akun Instagram La Farfa Magazine
title_full Wacana Kecantikan dan Body Image Perempuan di Jepang dalam Akun Instagram La Farfa Magazine
title_fullStr Wacana Kecantikan dan Body Image Perempuan di Jepang dalam Akun Instagram La Farfa Magazine
title_full_unstemmed Wacana Kecantikan dan Body Image Perempuan di Jepang dalam Akun Instagram La Farfa Magazine
title_short Wacana Kecantikan dan Body Image Perempuan di Jepang dalam Akun Instagram La Farfa Magazine
title_sort wacana kecantikan dan body image perempuan di jepang dalam akun instagram la farfa magazine
url https://ojs.unud.ac.id/index.php/sastra/article/view/113212
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