Le thème du féminicide dans la littérature française au XIXe siècle

The aim of this article is to examine the theme of feminicide in nineteenth-century French literature. In La Fille aux yeux d'or and La Duchesse de Langeais, where Balzac projects his dream of the Orient, the hero disposes of his lover's life as her absolute master. Women are supposed to a...

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Main Author: Kyoko Murata
Format: Article
Language:English
Published: Criminocorpus 2023-03-01
Series:Criminocorpus
Subjects:
Online Access:https://journals.openedition.org/criminocorpus/12300
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author Kyoko Murata
author_facet Kyoko Murata
author_sort Kyoko Murata
collection DOAJ
description The aim of this article is to examine the theme of feminicide in nineteenth-century French literature. In La Fille aux yeux d'or and La Duchesse de Langeais, where Balzac projects his dream of the Orient, the hero disposes of his lover's life as her absolute master. Women are supposed to admire the strength of men and accept their violence. In contrast, George Sand's Indiana denounces male violence as a crime. While in Romantic literature the theme of feminicide is tinged with exoticism, in Naturalist literature this theme becomes closer to reality. In La Bête humaine, Zola portrays several criminal characters. Although he exploits various facts and scientific references such as Lombroso's ideas, Zola differentiates himself from them by his own social and aesthetic notions. Thus, this article highlights the fact that the theme of feminicide is permeated by men's desire and fear for women, as well as their appetite for domination.
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spelling doaj-art-c57c0eb39c3b441e9c25817016ea43242025-01-06T09:15:05ZengCriminocorpusCriminocorpus2108-69072023-03-012110.4000/criminocorpus.12300Le thème du féminicide dans la littérature française au XIXe siècleKyoko MurataThe aim of this article is to examine the theme of feminicide in nineteenth-century French literature. In La Fille aux yeux d'or and La Duchesse de Langeais, where Balzac projects his dream of the Orient, the hero disposes of his lover's life as her absolute master. Women are supposed to admire the strength of men and accept their violence. In contrast, George Sand's Indiana denounces male violence as a crime. While in Romantic literature the theme of feminicide is tinged with exoticism, in Naturalist literature this theme becomes closer to reality. In La Bête humaine, Zola portrays several criminal characters. Although he exploits various facts and scientific references such as Lombroso's ideas, Zola differentiates himself from them by his own social and aesthetic notions. Thus, this article highlights the fact that the theme of feminicide is permeated by men's desire and fear for women, as well as their appetite for domination.https://journals.openedition.org/criminocorpus/12300Lombroso (Cesare)Zola (Émile)Balzac (Honoré de)literaturefeminicideSand (George)
spellingShingle Kyoko Murata
Le thème du féminicide dans la littérature française au XIXe siècle
Criminocorpus
Lombroso (Cesare)
Zola (Émile)
Balzac (Honoré de)
literature
feminicide
Sand (George)
title Le thème du féminicide dans la littérature française au XIXe siècle
title_full Le thème du féminicide dans la littérature française au XIXe siècle
title_fullStr Le thème du féminicide dans la littérature française au XIXe siècle
title_full_unstemmed Le thème du féminicide dans la littérature française au XIXe siècle
title_short Le thème du féminicide dans la littérature française au XIXe siècle
title_sort le theme du feminicide dans la litterature francaise au xixe siecle
topic Lombroso (Cesare)
Zola (Émile)
Balzac (Honoré de)
literature
feminicide
Sand (George)
url https://journals.openedition.org/criminocorpus/12300
work_keys_str_mv AT kyokomurata lethemedufeminicidedanslalitteraturefrancaiseauxixesiecle