Les albums de Jean de Brunhoff : usages de la couleur

Starting with the (all too exclusively) famous suit of a pleasant green color, this study analyses the two main purposes of the colors Jean de Brunhoff used in his five picture books produced entirely in his own hand. The original purpose of color, that of individualization, allows a reader to ident...

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Main Author: Isabelle Nières-Chevrel
Format: Article
Language:fra
Published: Association Française de Recherche sur les Livres et les Objets Culturels de l’Enfance (AFRELOCE) 2012-02-01
Series:Strenae
Subjects:
Online Access:https://journals.openedition.org/strenae/520
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author Isabelle Nières-Chevrel
author_facet Isabelle Nières-Chevrel
author_sort Isabelle Nières-Chevrel
collection DOAJ
description Starting with the (all too exclusively) famous suit of a pleasant green color, this study analyses the two main purposes of the colors Jean de Brunhoff used in his five picture books produced entirely in his own hand. The original purpose of color, that of individualization, allows a reader to identify the protagonists (for how else could we distinguish between so many gray elephants?), while the latter purpose involves page layout and using the double page for narrative space. This analysis shows how clothing, far from being reduced to an anthropomorphic marker, is, for Babar, an ontological and social stake, and that his wardrobe obeys in part social codes, and in part chromatic organizational choices regarding the opposite page and the large double pages. Color thus often opposes or links narrative sequences, marks the passage of time, and dramatizes the turning of the page, conveying a subjective point of view and rendering it lyrical.
format Article
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institution Kabale University
issn 2109-9081
language fra
publishDate 2012-02-01
publisher Association Française de Recherche sur les Livres et les Objets Culturels de l’Enfance (AFRELOCE)
record_format Article
series Strenae
spelling doaj-art-c3172e77a04140fabe6f99f5d06c6f752024-12-09T15:53:49ZfraAssociation Française de Recherche sur les Livres et les Objets Culturels de l’Enfance (AFRELOCE)Strenae2109-90812012-02-01310.4000/strenae.520Les albums de Jean de Brunhoff : usages de la couleurIsabelle Nières-ChevrelStarting with the (all too exclusively) famous suit of a pleasant green color, this study analyses the two main purposes of the colors Jean de Brunhoff used in his five picture books produced entirely in his own hand. The original purpose of color, that of individualization, allows a reader to identify the protagonists (for how else could we distinguish between so many gray elephants?), while the latter purpose involves page layout and using the double page for narrative space. This analysis shows how clothing, far from being reduced to an anthropomorphic marker, is, for Babar, an ontological and social stake, and that his wardrobe obeys in part social codes, and in part chromatic organizational choices regarding the opposite page and the large double pages. Color thus often opposes or links narrative sequences, marks the passage of time, and dramatizes the turning of the page, conveying a subjective point of view and rendering it lyrical.https://journals.openedition.org/strenae/520children’s literaturepicture bookcolorde Brunhoff (Jean)Babar
spellingShingle Isabelle Nières-Chevrel
Les albums de Jean de Brunhoff : usages de la couleur
Strenae
children’s literature
picture book
color
de Brunhoff (Jean)
Babar
title Les albums de Jean de Brunhoff : usages de la couleur
title_full Les albums de Jean de Brunhoff : usages de la couleur
title_fullStr Les albums de Jean de Brunhoff : usages de la couleur
title_full_unstemmed Les albums de Jean de Brunhoff : usages de la couleur
title_short Les albums de Jean de Brunhoff : usages de la couleur
title_sort les albums de jean de brunhoff usages de la couleur
topic children’s literature
picture book
color
de Brunhoff (Jean)
Babar
url https://journals.openedition.org/strenae/520
work_keys_str_mv AT isabelleniereschevrel lesalbumsdejeandebrunhoffusagesdelacouleur