“Proposals for change”: Art, Ecology and Intermediation in Helen Mayer Harrison and Newton Harrison’s The Lagoon Cycle, Breathing Space for the Sava River and Endangered Meadows of Europe

This article discusses intermediation in three artistic projects by American artists Helen Mayer Harrison (1927-2018) and Newton Harrison (1932-2022). Entitled The Lagoon Cycle (1973-1984, based in Sri Lanka and the United States), Breathing Space for the Sava River (1989-1990, in the former Yugosla...

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Main Author: Monica Manolescu
Format: Article
Language:English
Published: European Association for American Studies 2023-07-01
Series:European Journal of American Studies
Subjects:
Online Access:https://journals.openedition.org/ejas/19739
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author Monica Manolescu
author_facet Monica Manolescu
author_sort Monica Manolescu
collection DOAJ
description This article discusses intermediation in three artistic projects by American artists Helen Mayer Harrison (1927-2018) and Newton Harrison (1932-2022). Entitled The Lagoon Cycle (1973-1984, based in Sri Lanka and the United States), Breathing Space for the Sava River (1989-1990, in the former Yugoslavia) and Endangered Meadows of Europe (1996, in Bonn), these projects defy commodification and openly assert the well-being of ecosystems and ecological change as their main objectives. How is intermediation achieved from these intellectual positions and in these circumstances? The projects have an exhibition component and a performative component of interaction with the social, academic, administrative, institutional or industrial frameworks that surround them (more or less successful depending on the project). They benefited from collaborations with museum institutions, science laboratories, politicians, decision-makers, associations and ordinary citizens. While capital is a major issue for funding these projects and museums represent significant venues where exhibitions were presented, a larger conversation with many of the actors involved was initiated, including the ecosystem itself, which, through the work and beyond it, becomes an agent of its own further dissemination.
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spelling doaj-art-c123d57258b84b40bee7f6e35bf962f42025-01-06T09:08:04ZengEuropean Association for American StudiesEuropean Journal of American Studies1991-93362023-07-0118210.4000/ejas.19739“Proposals for change”: Art, Ecology and Intermediation in Helen Mayer Harrison and Newton Harrison’s The Lagoon Cycle, Breathing Space for the Sava River and Endangered Meadows of EuropeMonica ManolescuThis article discusses intermediation in three artistic projects by American artists Helen Mayer Harrison (1927-2018) and Newton Harrison (1932-2022). Entitled The Lagoon Cycle (1973-1984, based in Sri Lanka and the United States), Breathing Space for the Sava River (1989-1990, in the former Yugoslavia) and Endangered Meadows of Europe (1996, in Bonn), these projects defy commodification and openly assert the well-being of ecosystems and ecological change as their main objectives. How is intermediation achieved from these intellectual positions and in these circumstances? The projects have an exhibition component and a performative component of interaction with the social, academic, administrative, institutional or industrial frameworks that surround them (more or less successful depending on the project). They benefited from collaborations with museum institutions, science laboratories, politicians, decision-makers, associations and ordinary citizens. While capital is a major issue for funding these projects and museums represent significant venues where exhibitions were presented, a larger conversation with many of the actors involved was initiated, including the ecosystem itself, which, through the work and beyond it, becomes an agent of its own further dissemination.https://journals.openedition.org/ejas/19739intermediationHelen Mayer Harrison and Newton HarrisonRobert SmithsonNancy HoltWalter De Marialand art
spellingShingle Monica Manolescu
“Proposals for change”: Art, Ecology and Intermediation in Helen Mayer Harrison and Newton Harrison’s The Lagoon Cycle, Breathing Space for the Sava River and Endangered Meadows of Europe
European Journal of American Studies
intermediation
Helen Mayer Harrison and Newton Harrison
Robert Smithson
Nancy Holt
Walter De Maria
land art
title “Proposals for change”: Art, Ecology and Intermediation in Helen Mayer Harrison and Newton Harrison’s The Lagoon Cycle, Breathing Space for the Sava River and Endangered Meadows of Europe
title_full “Proposals for change”: Art, Ecology and Intermediation in Helen Mayer Harrison and Newton Harrison’s The Lagoon Cycle, Breathing Space for the Sava River and Endangered Meadows of Europe
title_fullStr “Proposals for change”: Art, Ecology and Intermediation in Helen Mayer Harrison and Newton Harrison’s The Lagoon Cycle, Breathing Space for the Sava River and Endangered Meadows of Europe
title_full_unstemmed “Proposals for change”: Art, Ecology and Intermediation in Helen Mayer Harrison and Newton Harrison’s The Lagoon Cycle, Breathing Space for the Sava River and Endangered Meadows of Europe
title_short “Proposals for change”: Art, Ecology and Intermediation in Helen Mayer Harrison and Newton Harrison’s The Lagoon Cycle, Breathing Space for the Sava River and Endangered Meadows of Europe
title_sort proposals for change art ecology and intermediation in helen mayer harrison and newton harrison s the lagoon cycle breathing space for the sava river and endangered meadows of europe
topic intermediation
Helen Mayer Harrison and Newton Harrison
Robert Smithson
Nancy Holt
Walter De Maria
land art
url https://journals.openedition.org/ejas/19739
work_keys_str_mv AT monicamanolescu proposalsforchangeartecologyandintermediationinhelenmayerharrisonandnewtonharrisonsthelagooncyclebreathingspaceforthesavariverandendangeredmeadowsofeurope