"Computer-generated history": Zur paradoxen Dualität von Populärkultur und Zeitgeschichte in Jon Haddocks Screenshots
Jon Haddock's body of work is not only a skillful exploration into the realm of the creative possibilities of Computer-generated Imagery, but also a provocative contemplation on contemporary America. Through a comprehensive analysis of Haddock's series of images entitled Screenshots“, this...
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| Format: | Article |
| Language: | English |
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Regensburg: Current objectives in postgraduate American studies c/o Universität Regensburg/Institut für Anglistik und Amerikanistik
2012-03-01
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| Series: | Current Objectives of Postgraduate American Studies |
| Online Access: | https://copas.uni-regensburg.de/index.php/copas/article/view/82 |
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| Summary: | Jon Haddock's body of work is not only a skillful exploration into the realm of the creative possibilities of Computer-generated Imagery, but also a provocative contemplation on contemporary America. Through a comprehensive analysis of Haddock's series of images entitled Screenshots“, this essay argues for an integration of computer and video game culture into the academic discourse of American Visual Culture studies. |
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| ISSN: | 1861-6127 |