La vue et les matériaux. Le marbre dans l’Adoration du tombeau de saint Pierre de Vérone par Pedro Berruguete
Pedro Berruguete’s late 15th-century paintings for the conventual church of Santo Tomás in Ávila, now housed in the Museo del Prado, are among the hagiographic images that can be precisely associated with a historical context and a communicative intent. The commission for the three altarpieces tha...
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| Format: | Article |
| Language: | deu |
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Museo Nacional del Prado
2024-11-01
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| Series: | Boletín del Museo del Prado |
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| Online Access: | https://www.museodelprado.es/aprende/boletin/la-vue-et-les-materiaux-le-marbre-dans-ladoration/f0272d10-4ba5-144c-cd87-70d533dd2792 |
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| Summary: | Pedro Berruguete’s late 15th-century paintings for the conventual church of Santo Tomás in Ávila, now housed in the
Museo del Prado, are among the hagiographic images that can be precisely associated with a historical context and a communicative intent. The commission for the three altarpieces that make up the group should be seen in the context of the institutions of
the Inquisition. This article focuses on analysing a detail present on the panel of the tomb of Saint Peter of Verona, namely the
marble of that tomb. This anecdotal detail, seemingly insignificant in terms of the work’s iconography, in fact plays an important
role in the overall pictorial discourse employed in the conventual church of Santo Tomás. |
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| ISSN: | 0210-8143 2952-0630 |