Fernando Pessoa na Boca do Inferno: Dá a surpresa de ver um filme erótico detetivesco

This work analyzes the film Boca do Inferno (2020) by Portuguese director Luís Porto, focusing on how the film composition articulates: a) the encounter – and its documented outcome – between the poet Fernando Pessoa, the English magician Aleister Crowley, and his young German lover, Hanni Larissa J...

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Main Author: Medeiros, Ana Clara Magalhães de
Format: Article
Language:English
Published: Brown University 2024-06-01
Series:Pessoa Plural
Subjects:
Online Access:https://repository.library.brown.edu/studio/item/bdr:w4bca2sm/PDF/
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author Medeiros, Ana Clara Magalhães de
author_facet Medeiros, Ana Clara Magalhães de
author_sort Medeiros, Ana Clara Magalhães de
collection DOAJ
description This work analyzes the film Boca do Inferno (2020) by Portuguese director Luís Porto, focusing on how the film composition articulates: a) the encounter – and its documented outcome – between the poet Fernando Pessoa, the English magician Aleister Crowley, and his young German lover, Hanni Larissa Jaeger, in September 1930, in the city of Lisbon; b) the poem “Dá a surpresa de ser”, which is part of Pessoa’s orthonymic work. We are interested in providing a critical interpretation of the Mouth of Hell episode that involved Fernando Pessoa in a staged suicide and a hypothetical love triangle, as narrated in the 2020 medium-length film. To do so, we prioritize an analysis of the indices of eroticism emerging from the cinematic production.
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series Pessoa Plural
spelling doaj-art-bc85e3684de943d8b0e27b109b63fc1f2024-12-20T20:18:27ZengBrown UniversityPessoa Plural2212-41792024-06-012527831110.26300/vrwc-9q15Fernando Pessoa na Boca do Inferno: Dá a surpresa de ver um filme erótico detetivescoMedeiros, Ana Clara Magalhães de0Universidade de BrasíliaThis work analyzes the film Boca do Inferno (2020) by Portuguese director Luís Porto, focusing on how the film composition articulates: a) the encounter – and its documented outcome – between the poet Fernando Pessoa, the English magician Aleister Crowley, and his young German lover, Hanni Larissa Jaeger, in September 1930, in the city of Lisbon; b) the poem “Dá a surpresa de ser”, which is part of Pessoa’s orthonymic work. We are interested in providing a critical interpretation of the Mouth of Hell episode that involved Fernando Pessoa in a staged suicide and a hypothetical love triangle, as narrated in the 2020 medium-length film. To do so, we prioritize an analysis of the indices of eroticism emerging from the cinematic production.https://repository.library.brown.edu/studio/item/bdr:w4bca2sm/PDF/pessoa, fernandocrowley, aleisterporto, luísboca do infernomotion picturescinemaeroticaeroticismcinemaerotismo
spellingShingle Medeiros, Ana Clara Magalhães de
Fernando Pessoa na Boca do Inferno: Dá a surpresa de ver um filme erótico detetivesco
Pessoa Plural
pessoa, fernando
crowley, aleister
porto, luís
boca do inferno
motion pictures
cinema
erotica
eroticism
cinema
erotismo
title Fernando Pessoa na Boca do Inferno: Dá a surpresa de ver um filme erótico detetivesco
title_full Fernando Pessoa na Boca do Inferno: Dá a surpresa de ver um filme erótico detetivesco
title_fullStr Fernando Pessoa na Boca do Inferno: Dá a surpresa de ver um filme erótico detetivesco
title_full_unstemmed Fernando Pessoa na Boca do Inferno: Dá a surpresa de ver um filme erótico detetivesco
title_short Fernando Pessoa na Boca do Inferno: Dá a surpresa de ver um filme erótico detetivesco
title_sort fernando pessoa na boca do inferno da a surpresa de ver um filme erotico detetivesco
topic pessoa, fernando
crowley, aleister
porto, luís
boca do inferno
motion pictures
cinema
erotica
eroticism
cinema
erotismo
url https://repository.library.brown.edu/studio/item/bdr:w4bca2sm/PDF/
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