A Critical Review on Paul Schrader’s Book Transcendental Style in Cinema Ozo, Bresson, Dreyer
"Transcendental Style in Cinema, Ozu, Bresson, Dreyer" by Paul Schrader, the famous American critic, writer, and director, is one of the few books that explores the relationship between cinema, religion, and related elements beyond various fields such as Semiotics. This book was translated...
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Institute for Humanities and Cultural Studies (IHCS)
2022-05-01
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| Series: | پژوهشنامۀ انتقادی متون و برنامههای علوم انسانی |
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| Online Access: | https://criticalstudy.ihcs.ac.ir/article_7880_f59ae41c2ad37c5097115b84bb8f6278.pdf |
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| author | Mohammadjavad Goharbakhsh Shahab Esfandiari Pedram Rostami |
| author_facet | Mohammadjavad Goharbakhsh Shahab Esfandiari Pedram Rostami |
| author_sort | Mohammadjavad Goharbakhsh |
| collection | DOAJ |
| description | "Transcendental Style in Cinema, Ozu, Bresson, Dreyer" by Paul Schrader, the famous American critic, writer, and director, is one of the few books that explores the relationship between cinema, religion, and related elements beyond various fields such as Semiotics. This book was translated in 2003 by Mohammad Gozarabadi in Iran. The second edition of the book that was published in 2018 included the introduction of slow cinema and Schrader's revision of some of the concepts of this style. The importance of this book could be seen in the method of studying and confronting religion and its elements. Using profound philosophical concepts and Christian background, Schrader establishes stylistic stages in which the most important movies could be read and analyzed through them. This style aims to discover the state in which the transcendental and spiritual manner is expressed in cinema. Therefore, firstly the book and the author are introduced and then by considering both editions, all the concepts in the book are discussed and finally the book is criticized from different aspects. The results will demonstrate that the main criticisms on this book can be seen in the levels of method and content. |
| format | Article |
| id | doaj-art-b99c6256632b4bc9be9ce7c153b00aa0 |
| institution | Kabale University |
| issn | 2383-1650 |
| language | fas |
| publishDate | 2022-05-01 |
| publisher | Institute for Humanities and Cultural Studies (IHCS) |
| record_format | Article |
| series | پژوهشنامۀ انتقادی متون و برنامههای علوم انسانی |
| spelling | doaj-art-b99c6256632b4bc9be9ce7c153b00aa02025-01-08T05:39:06ZfasInstitute for Humanities and Cultural Studies (IHCS)پژوهشنامۀ انتقادی متون و برنامههای علوم انسانی2383-16502022-05-0122344146510.30465/crtls.2022.38782.24087880A Critical Review on Paul Schrader’s Book Transcendental Style in Cinema Ozo, Bresson, DreyerMohammadjavad Goharbakhsh0Shahab Esfandiari1Pedram Rostami2MA Student, University of Art, Tehran, IranAssistant Professor, Faculty of Cinema and Theater, University of Arts, Tehran, IranMA Student, University of Art, Tehran, Iran"Transcendental Style in Cinema, Ozu, Bresson, Dreyer" by Paul Schrader, the famous American critic, writer, and director, is one of the few books that explores the relationship between cinema, religion, and related elements beyond various fields such as Semiotics. This book was translated in 2003 by Mohammad Gozarabadi in Iran. The second edition of the book that was published in 2018 included the introduction of slow cinema and Schrader's revision of some of the concepts of this style. The importance of this book could be seen in the method of studying and confronting religion and its elements. Using profound philosophical concepts and Christian background, Schrader establishes stylistic stages in which the most important movies could be read and analyzed through them. This style aims to discover the state in which the transcendental and spiritual manner is expressed in cinema. Therefore, firstly the book and the author are introduced and then by considering both editions, all the concepts in the book are discussed and finally the book is criticized from different aspects. The results will demonstrate that the main criticisms on this book can be seen in the levels of method and content.https://criticalstudy.ihcs.ac.ir/article_7880_f59ae41c2ad37c5097115b84bb8f6278.pdftranscendental styletranscendencecriticismslow cinemacinema |
| spellingShingle | Mohammadjavad Goharbakhsh Shahab Esfandiari Pedram Rostami A Critical Review on Paul Schrader’s Book Transcendental Style in Cinema Ozo, Bresson, Dreyer پژوهشنامۀ انتقادی متون و برنامههای علوم انسانی transcendental style transcendence criticism slow cinema cinema |
| title | A Critical Review on Paul Schrader’s Book Transcendental Style in Cinema Ozo, Bresson, Dreyer |
| title_full | A Critical Review on Paul Schrader’s Book Transcendental Style in Cinema Ozo, Bresson, Dreyer |
| title_fullStr | A Critical Review on Paul Schrader’s Book Transcendental Style in Cinema Ozo, Bresson, Dreyer |
| title_full_unstemmed | A Critical Review on Paul Schrader’s Book Transcendental Style in Cinema Ozo, Bresson, Dreyer |
| title_short | A Critical Review on Paul Schrader’s Book Transcendental Style in Cinema Ozo, Bresson, Dreyer |
| title_sort | critical review on paul schrader s book transcendental style in cinema ozo bresson dreyer |
| topic | transcendental style transcendence criticism slow cinema cinema |
| url | https://criticalstudy.ihcs.ac.ir/article_7880_f59ae41c2ad37c5097115b84bb8f6278.pdf |
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