American Minimalism: The Western Vernacular in Norman Mailer’s The Executioner’s Song.

This paper identifies and discusses the western vernacular and minimalist tendencies in Norman Mailer’s 1980 Pulitzer Prize winning “true-life story” The Executioner’s Song.  Mailer’s use of a lean, often flat style of narration is read in relation to Truman Capote’s “non-fiction novel” In Cold Bloo...

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Main Author: Andrew Wilson
Format: Article
Language:English
Published: European Association for American Studies 2009-05-01
Series:European Journal of American Studies
Online Access:https://journals.openedition.org/ejas/7532
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author Andrew Wilson
author_facet Andrew Wilson
author_sort Andrew Wilson
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description This paper identifies and discusses the western vernacular and minimalist tendencies in Norman Mailer’s 1980 Pulitzer Prize winning “true-life story” The Executioner’s Song.  Mailer’s use of a lean, often flat style of narration is read in relation to Truman Capote’s “non-fiction novel” In Cold Blood to measure the extent to which Mailer moved beyond a conventional novelistic approach. The article positions The Executioner’s Song alongside earlier minimalist styles in American Literature and takes stock of Mailer’s use of oral storytelling techniques and panoramic perspectives. Mailer’s minimal presence in the narrative and the original capital punishment proceedings is established, with support from early reviews, debates surrounding the genre of The Executioner’s Song and interviews given by the author since its publication in 1979.
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spelling doaj-art-b8f8aa42a0734685b5182d8cd2b1e9eb2025-01-06T09:10:36ZengEuropean Association for American StudiesEuropean Journal of American Studies1991-93362009-05-014110.4000/ejas.7532American Minimalism: The Western Vernacular in Norman Mailer’s The Executioner’s Song.Andrew WilsonThis paper identifies and discusses the western vernacular and minimalist tendencies in Norman Mailer’s 1980 Pulitzer Prize winning “true-life story” The Executioner’s Song.  Mailer’s use of a lean, often flat style of narration is read in relation to Truman Capote’s “non-fiction novel” In Cold Blood to measure the extent to which Mailer moved beyond a conventional novelistic approach. The article positions The Executioner’s Song alongside earlier minimalist styles in American Literature and takes stock of Mailer’s use of oral storytelling techniques and panoramic perspectives. Mailer’s minimal presence in the narrative and the original capital punishment proceedings is established, with support from early reviews, debates surrounding the genre of The Executioner’s Song and interviews given by the author since its publication in 1979.https://journals.openedition.org/ejas/7532
spellingShingle Andrew Wilson
American Minimalism: The Western Vernacular in Norman Mailer’s The Executioner’s Song.
European Journal of American Studies
title American Minimalism: The Western Vernacular in Norman Mailer’s The Executioner’s Song.
title_full American Minimalism: The Western Vernacular in Norman Mailer’s The Executioner’s Song.
title_fullStr American Minimalism: The Western Vernacular in Norman Mailer’s The Executioner’s Song.
title_full_unstemmed American Minimalism: The Western Vernacular in Norman Mailer’s The Executioner’s Song.
title_short American Minimalism: The Western Vernacular in Norman Mailer’s The Executioner’s Song.
title_sort american minimalism the western vernacular in norman mailer s the executioner s song
url https://journals.openedition.org/ejas/7532
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