Potentialité du jouet dans la pensée de Nikolaï Bartram

For several decades and despite political changes, the artist and advocate of peasant art forms Nikolai Bartram maintained an anthropological and non-instrumental reading of toys. This essay attempts to look through his ideas into several contexts of debates about toys, and in particular peasant toy...

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Main Author: Elitza Dulguerova
Format: Article
Language:fra
Published: Association Française de Recherche sur les Livres et les Objets Culturels de l’Enfance (AFRELOCE) 2021-03-01
Series:Strenae
Subjects:
Online Access:https://journals.openedition.org/strenae/6183
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author Elitza Dulguerova
author_facet Elitza Dulguerova
author_sort Elitza Dulguerova
collection DOAJ
description For several decades and despite political changes, the artist and advocate of peasant art forms Nikolai Bartram maintained an anthropological and non-instrumental reading of toys. This essay attempts to look through his ideas into several contexts of debates about toys, and in particular peasant toys, during the time span from 1900 to 1930 in Russia and the USSR. Be it in his books, through his experience at the museum of arts and crafts in Moscow since 1904, as the founding director of the Museum of Toys from 1918 to 1930, or as the head of the Soviet section "The world of the child" at the International exhibition of decorative and industrial arts in Paris in 1925, Bartram thought of toys not as objects of delight or entertainment, but as active subjects that trigger creativity. This open approach to toys encountered growing difficulties up to the ideological lock of the 1930s.
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issn 2109-9081
language fra
publishDate 2021-03-01
publisher Association Française de Recherche sur les Livres et les Objets Culturels de l’Enfance (AFRELOCE)
record_format Article
series Strenae
spelling doaj-art-b895652bd8974d0aa92c0e98a62a56492024-12-09T15:53:43ZfraAssociation Française de Recherche sur les Livres et les Objets Culturels de l’Enfance (AFRELOCE)Strenae2109-90812021-03-011710.4000/strenae.6183Potentialité du jouet dans la pensée de Nikolaï BartramElitza DulguerovaFor several decades and despite political changes, the artist and advocate of peasant art forms Nikolai Bartram maintained an anthropological and non-instrumental reading of toys. This essay attempts to look through his ideas into several contexts of debates about toys, and in particular peasant toys, during the time span from 1900 to 1930 in Russia and the USSR. Be it in his books, through his experience at the museum of arts and crafts in Moscow since 1904, as the founding director of the Museum of Toys from 1918 to 1930, or as the head of the Soviet section "The world of the child" at the International exhibition of decorative and industrial arts in Paris in 1925, Bartram thought of toys not as objects of delight or entertainment, but as active subjects that trigger creativity. This open approach to toys encountered growing difficulties up to the ideological lock of the 1930s.https://journals.openedition.org/strenae/6183ideologyartBartram (Nikolaï)toytoy history
spellingShingle Elitza Dulguerova
Potentialité du jouet dans la pensée de Nikolaï Bartram
Strenae
ideology
art
Bartram (Nikolaï)
toy
toy history
title Potentialité du jouet dans la pensée de Nikolaï Bartram
title_full Potentialité du jouet dans la pensée de Nikolaï Bartram
title_fullStr Potentialité du jouet dans la pensée de Nikolaï Bartram
title_full_unstemmed Potentialité du jouet dans la pensée de Nikolaï Bartram
title_short Potentialité du jouet dans la pensée de Nikolaï Bartram
title_sort potentialite du jouet dans la pensee de nikolai bartram
topic ideology
art
Bartram (Nikolaï)
toy
toy history
url https://journals.openedition.org/strenae/6183
work_keys_str_mv AT elitzadulguerova potentialitedujouetdanslapenseedenikolaibartram