Composing with Analog Tape in a Post-Digital Age
This essay explores the practical and theoretical dimensions of composing with analog tape in a post-digital age. Its point of departure is the belief that, instead of dismissing them as outmoded and impractical, we ought to embrace analog devices as invaluable tools for exploring the liminal realm...
Saved in:
| Main Author: | Sean Russell Hallowell |
|---|---|
| Format: | Article |
| Language: | Bosnian |
| Published: |
INSAM Institute for Contemporary Artistic Music
2019-12-01
|
| Series: | INSAM |
| Subjects: | |
| Online Access: | https://insamjournal.com/index.php/ij/article/view/32 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
TikTok and Sound: Changing the ways of Creating, Promoting, Distributing and Listening to Music
by: Bojana Radovanović
Published: (2022-12-01) -
Composing Social Media. The Representation of the Physicality-Virtuality Continuum in Óscar Escudero and Belenish Moreno-Gil’s Works
by: Ferran Planas Pla
Published: (2021-07-01) -
Aural Technology, Phenomenology, and Data Matrices in Pierre Schaeffer's Treatise on Musical Objects: Contributions to a Science of What is Heard
by: Claudio Eiriz
Published: (2021-04-01) -
Multiple dichotomies in timbre research
by: George PAPANIKOLAOU, et al.
Published: (2009-01-01) -
n-gram-based approach to composer recognition
by: Jacek WOŁKOWICZ, et al.
Published: (2014-03-01)