Der Körper im Spannungsfeld der Blicke: Eakins und seine Betrachter in The Gross Clinic (1875)

The presentation that was part of the student symposium 'American Visual Culture-Images and Interpretations' approaches Thomas Eakins' painting with an interest in the manifold modes of viewing that are inherent within the realm of the work itself-and which imply and address the viewe...

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Main Author: Franziska Scheitzeneder
Format: Article
Language:English
Published: Regensburg: Current objectives in postgraduate American studies c/o Universität Regensburg/Institut für Anglistik und Amerikanistik 2012-03-01
Series:Current Objectives of Postgraduate American Studies
Online Access:https://copas.uni-regensburg.de/index.php/copas/article/view/83
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author Franziska Scheitzeneder
author_facet Franziska Scheitzeneder
author_sort Franziska Scheitzeneder
collection DOAJ
description The presentation that was part of the student symposium 'American Visual Culture-Images and Interpretations' approaches Thomas Eakins' painting with an interest in the manifold modes of viewing that are inherent within the realm of the work itself-and which imply and address the viewer in a peculiar manner. A further aim is to disentangle the powerful and painful relationship of the view and the body as its object that is established in The Gross Clinic“. 
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institution Kabale University
issn 1861-6127
language English
publishDate 2012-03-01
publisher Regensburg: Current objectives in postgraduate American studies c/o Universität Regensburg/Institut für Anglistik und Amerikanistik
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series Current Objectives of Postgraduate American Studies
spelling doaj-art-b4c6a43eacba44e484ceb44303a7c7d22024-11-15T07:54:37ZengRegensburg: Current objectives in postgraduate American studies c/o Universität Regensburg/Institut für Anglistik und AmerikanistikCurrent Objectives of Postgraduate American Studies1861-61272012-03-01610.5283/copas.83Der Körper im Spannungsfeld der Blicke: Eakins und seine Betrachter in The Gross Clinic (1875)Franziska ScheitzenederThe presentation that was part of the student symposium 'American Visual Culture-Images and Interpretations' approaches Thomas Eakins' painting with an interest in the manifold modes of viewing that are inherent within the realm of the work itself-and which imply and address the viewer in a peculiar manner. A further aim is to disentangle the powerful and painful relationship of the view and the body as its object that is established in The Gross Clinic“. https://copas.uni-regensburg.de/index.php/copas/article/view/83
spellingShingle Franziska Scheitzeneder
Der Körper im Spannungsfeld der Blicke: Eakins und seine Betrachter in The Gross Clinic (1875)
Current Objectives of Postgraduate American Studies
title Der Körper im Spannungsfeld der Blicke: Eakins und seine Betrachter in The Gross Clinic (1875)
title_full Der Körper im Spannungsfeld der Blicke: Eakins und seine Betrachter in The Gross Clinic (1875)
title_fullStr Der Körper im Spannungsfeld der Blicke: Eakins und seine Betrachter in The Gross Clinic (1875)
title_full_unstemmed Der Körper im Spannungsfeld der Blicke: Eakins und seine Betrachter in The Gross Clinic (1875)
title_short Der Körper im Spannungsfeld der Blicke: Eakins und seine Betrachter in The Gross Clinic (1875)
title_sort der korper im spannungsfeld der blicke eakins und seine betrachter in the gross clinic 1875
url https://copas.uni-regensburg.de/index.php/copas/article/view/83
work_keys_str_mv AT franziskascheitzeneder derkorperimspannungsfeldderblickeeakinsundseinebetrachterinthegrossclinic1875