The disturbing order and Hafez's ghazals

The incoherent structure and disturbed formulas of some lines in Hafez's ghazals have been studied for a long time. Scholars` research on Hafez have made much endeavor, to either justify the aforesaid structure or rather offer the possible rationale behind this lack of coherence. By reviewing t...

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Main Authors: Naser Rahimi, Zoheir Nadalizadeh
Format: Article
Language:fas
Published: Semnan University 2019-02-01
Series:مطالعات زبانی و بلاغی
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Online Access:https://rhetorical.semnan.ac.ir/article_3631_3b9b9bff3dc5f8134710f9093238e4cf.pdf
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author Naser Rahimi
Zoheir Nadalizadeh
author_facet Naser Rahimi
Zoheir Nadalizadeh
author_sort Naser Rahimi
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description The incoherent structure and disturbed formulas of some lines in Hafez's ghazals have been studied for a long time. Scholars` research on Hafez have made much endeavor, to either justify the aforesaid structure or rather offer the possible rationale behind this lack of coherence. By reviewing them even briefly, one can lend more credibility and value to some proposed hypotheses and theories in that respect, and conveniently put the rest aside. In this paper, while examining the question, I investigated thorough a selected body of the major existing hypotheses which have set themselves the task of explaining this peculiar structure in Hafez's ghazals. Then, I proposed new insights for its understanding which aimed to justify the incoherence of the lines and the diversity of the topics of his ghazals from a musical perspective. To that intent, I formulated my hypothesis based upon the poetic texture and the intertextual relations of Hafez's poems as a whole.
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spelling doaj-art-b45c2ef4c60e4059b5cb43854289f4dc2025-01-15T08:10:43ZfasSemnan Universityمطالعات زبانی و بلاغی2008-95702717-090X2019-02-0191819321010.22075/jlrs.2019.16899.13973631The disturbing order and Hafez's ghazalsNaser Rahimi0Zoheir Nadalizadeh1Assistant professor of Persian Language and Literature, Semnan UniversityPhd of Semnan UniversityThe incoherent structure and disturbed formulas of some lines in Hafez's ghazals have been studied for a long time. Scholars` research on Hafez have made much endeavor, to either justify the aforesaid structure or rather offer the possible rationale behind this lack of coherence. By reviewing them even briefly, one can lend more credibility and value to some proposed hypotheses and theories in that respect, and conveniently put the rest aside. In this paper, while examining the question, I investigated thorough a selected body of the major existing hypotheses which have set themselves the task of explaining this peculiar structure in Hafez's ghazals. Then, I proposed new insights for its understanding which aimed to justify the incoherence of the lines and the diversity of the topics of his ghazals from a musical perspective. To that intent, I formulated my hypothesis based upon the poetic texture and the intertextual relations of Hafez's poems as a whole.https://rhetorical.semnan.ac.ir/article_3631_3b9b9bff3dc5f8134710f9093238e4cf.pdfhafez's ghazalspoetry’s vertical axisdisturbed structuremusical modulationvocal modulation
spellingShingle Naser Rahimi
Zoheir Nadalizadeh
The disturbing order and Hafez's ghazals
مطالعات زبانی و بلاغی
hafez's ghazals
poetry’s vertical axis
disturbed structure
musical modulation
vocal modulation
title The disturbing order and Hafez's ghazals
title_full The disturbing order and Hafez's ghazals
title_fullStr The disturbing order and Hafez's ghazals
title_full_unstemmed The disturbing order and Hafez's ghazals
title_short The disturbing order and Hafez's ghazals
title_sort disturbing order and hafez s ghazals
topic hafez's ghazals
poetry’s vertical axis
disturbed structure
musical modulation
vocal modulation
url https://rhetorical.semnan.ac.ir/article_3631_3b9b9bff3dc5f8134710f9093238e4cf.pdf
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