Impact Assestement of Cultural Events on Tourism and Creative Economy Sector

This study explores the Dieng Creative Festival (DCF) management strategies that combine tourism and traditional ceremonies, emphasising community-based tourism (CBT) and collaboration for sustainable and independent festival management to benefit citizens. Qualitative ethnographic methods are used...

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Main Authors: Wawan Rusiawan, Sinar Wijayanti
Format: Article
Language:English
Published: Politeknik Pariwisata NHI Bandung 2024-12-01
Series:Jurnal Kepariwisataan
Subjects:
Online Access:https://journal.poltekpar-nhi.ac.id/index.php/jk/article/view/1738
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author Wawan Rusiawan
Sinar Wijayanti
author_facet Wawan Rusiawan
Sinar Wijayanti
author_sort Wawan Rusiawan
collection DOAJ
description This study explores the Dieng Creative Festival (DCF) management strategies that combine tourism and traditional ceremonies, emphasising community-based tourism (CBT) and collaboration for sustainable and independent festival management to benefit citizens. Qualitative ethnographic methods are used in this study to reveal the meaning of a culture by interpreting objects, stories, rituals, and practices in a cultural group. The results of the survey show that DCF can have a significant impact on the tourism and creative economy sectors if the event organisers implement the following strategy: DCF organisers need to determine the orientation of the organisation in the form of increasing the tourism industry economy; preserving local traditions; and synergy between the two. The orientation of the DCF implementation aims to align the needs of preserving tradition and increasing the tourism economy, it is necessary to involve residents in its planning and implementation. Resident participation is closely related to efforts to preserve living traditions. DCF organisers need to determine the target audience for their festival. Festival development can be directed by building a strategy for packaging events, promotions, implementation schedules, attractions, amenities, and other supporting hospitality facilities. DCF has provided business opportunities for small business actors. Festival organisers need to provide access to MSMEs and increase their equality. The government is advised to be a catalyst for implementing sustainable festivals. In addition to funding support for DCF, the government needs to provide space and facilities that bring together festival organisers, including residents, business actors, academics, and the media. This space can be helpful for organisers to learn and network to improve the festival's quality
format Article
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institution Kabale University
issn 2477-3808
2721-4753
language English
publishDate 2024-12-01
publisher Politeknik Pariwisata NHI Bandung
record_format Article
series Jurnal Kepariwisataan
spelling doaj-art-b2df8940c8e149d4952d4eb8f15d66292025-01-12T11:03:42ZengPoliteknik Pariwisata NHI BandungJurnal Kepariwisataan2477-38082721-47532024-12-018210.34013/jk.v8i2.1738Impact Assestement of Cultural Events on Tourism and Creative Economy SectorWawan Rusiawan0Sinar Wijayanti1Ministry of Tourism and Creative EconomyMinistry of Tourism and Creative Economy This study explores the Dieng Creative Festival (DCF) management strategies that combine tourism and traditional ceremonies, emphasising community-based tourism (CBT) and collaboration for sustainable and independent festival management to benefit citizens. Qualitative ethnographic methods are used in this study to reveal the meaning of a culture by interpreting objects, stories, rituals, and practices in a cultural group. The results of the survey show that DCF can have a significant impact on the tourism and creative economy sectors if the event organisers implement the following strategy: DCF organisers need to determine the orientation of the organisation in the form of increasing the tourism industry economy; preserving local traditions; and synergy between the two. The orientation of the DCF implementation aims to align the needs of preserving tradition and increasing the tourism economy, it is necessary to involve residents in its planning and implementation. Resident participation is closely related to efforts to preserve living traditions. DCF organisers need to determine the target audience for their festival. Festival development can be directed by building a strategy for packaging events, promotions, implementation schedules, attractions, amenities, and other supporting hospitality facilities. DCF has provided business opportunities for small business actors. Festival organisers need to provide access to MSMEs and increase their equality. The government is advised to be a catalyst for implementing sustainable festivals. In addition to funding support for DCF, the government needs to provide space and facilities that bring together festival organisers, including residents, business actors, academics, and the media. This space can be helpful for organisers to learn and network to improve the festival's quality https://journal.poltekpar-nhi.ac.id/index.php/jk/article/view/1738DiengCultural FestivalDreadlocksEthnography
spellingShingle Wawan Rusiawan
Sinar Wijayanti
Impact Assestement of Cultural Events on Tourism and Creative Economy Sector
Jurnal Kepariwisataan
Dieng
Cultural Festival
Dreadlocks
Ethnography
title Impact Assestement of Cultural Events on Tourism and Creative Economy Sector
title_full Impact Assestement of Cultural Events on Tourism and Creative Economy Sector
title_fullStr Impact Assestement of Cultural Events on Tourism and Creative Economy Sector
title_full_unstemmed Impact Assestement of Cultural Events on Tourism and Creative Economy Sector
title_short Impact Assestement of Cultural Events on Tourism and Creative Economy Sector
title_sort impact assestement of cultural events on tourism and creative economy sector
topic Dieng
Cultural Festival
Dreadlocks
Ethnography
url https://journal.poltekpar-nhi.ac.id/index.php/jk/article/view/1738
work_keys_str_mv AT wawanrusiawan impactassestementofculturaleventsontourismandcreativeeconomysector
AT sinarwijayanti impactassestementofculturaleventsontourismandcreativeeconomysector