Les tours de la machine et les détours du langage : Le Marchand de Venise mis en scène par Luca Ronconi
In his 1987 staging of Shakespeare’s Merchant of Venice at the Théâtre National de l’Odéon in Paris, Luca Ronconi adopted structuralist principles and thus highlighted the shifts of meaning between love and money, thanks to an original choice and direction of the actors on the one hand, and to the u...
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| Format: | Article |
| Language: | English |
| Published: |
Presses universitaires de Rennes
2008-03-01
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| Series: | Revue LISA |
| Online Access: | https://journals.openedition.org/lisa/413 |
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