Las estructuras de Emilio Pérez Piñero en la musealización de dos espacios singulares
In the early 1970s, the Spanish architect Emilio Perez Piñero made structures to cover two museographic spaces that remain to this day as landmarks of musealization from Spanish historical and artistic heritage. They are the Cúpula reticular poliédrica F-12 at the Dali Theater-Museum in Figueres (Gi...
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| Main Author: | |
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| Format: | Article |
| Language: | English |
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Universidade de Évora
2013-03-01
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| Series: | Midas: Museus e Estudos Interdisciplinares |
| Subjects: | |
| Online Access: | https://journals.openedition.org/midas/101 |
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| Summary: | In the early 1970s, the Spanish architect Emilio Perez Piñero made structures to cover two museographic spaces that remain to this day as landmarks of musealization from Spanish historical and artistic heritage. They are the Cúpula reticular poliédrica F-12 at the Dali Theater-Museum in Figueres (Girona) and the Cubierta para la Necrópolis Paleocristiana at Tarragona. Both works were constructed after two assignments by the Ministry of Housing and the Ministry of Education and Science, respectively. Due to the premature death of the architect, his brother José María was the one who finished assembling these structures, which have become modern icons of the structural architecture used in museums and heritage preservation. |
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| ISSN: | 2182-9543 |