The Haunted World of El Superbeasto (Rob Zombie, 2009): An Animated Exploitation of Exploitation Cinema
It could be argued that, like any exploitation movie, Rob Zombie’s 2009 animation film, while dealing with transgressive issues, relies on scandalous material in order to “exploit” specific niche audiences. Yet the question remains as to whether the movie also means to play a controversial political...
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| Main Author: | Pierre Floquet |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Association Française d'Etudes Américaines
2016-07-01
|
| Series: | Transatlantica |
| Subjects: | |
| Online Access: | https://journals.openedition.org/transatlantica/7918 |
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