The Haunted World of El Superbeasto (Rob Zombie, 2009): An Animated Exploitation of Exploitation Cinema
It could be argued that, like any exploitation movie, Rob Zombie’s 2009 animation film, while dealing with transgressive issues, relies on scandalous material in order to “exploit” specific niche audiences. Yet the question remains as to whether the movie also means to play a controversial political...
Saved in:
Main Author: | Pierre Floquet |
---|---|
Format: | Article |
Language: | English |
Published: |
Association Française d'Etudes Américaines
2016-07-01
|
Series: | Transatlantica |
Subjects: | |
Online Access: | https://journals.openedition.org/transatlantica/7918 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Cinema e pittura (traduzione di Tamara Đokić)
by: Vladimir Petrić
Published: (2025-02-01) -
A Book Review of Charming Elements in Animation Cinema
by: Hamid Sadeghian, et al.
Published: (2020-04-01) -
Exploiting Body and Place in Thomas Hardy’s Tess of the d’Urbervilles
by: Catherine Lanone
Published: (2019-12-01) -
L’effort de guerre des exploitants non-professionnels du cinéma en URSS (1939-1949)
by: Irina Tcherneva
Published: (2020-09-01) -
Exploitation Cinema and the Lesbian Imagination
by: Anne Crémieux
Published: (2016-07-01)