Cérémonies monarchiques et musique à la cour de Charles Quint

The modern period sees developing and enriching the protocol surrounding the ceremonies of a monarch’s reign. The choice of a study dedicated to Charles V (1500-1558) is understandable not only by his exceptional destiny as the first Habsburg on the throne of Spain, but also by the new place devolve...

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Main Author: Louise Audubert
Format: Article
Language:Spanish
Published: Civilisations et Littératures d’Espagne et d’Amérique du Moyen Âge aux Lumières (CLEA) - Paris Sorbonne 2016-02-01
Series:E-Spania
Subjects:
Online Access:https://journals.openedition.org/e-spania/25365
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author Louise Audubert
author_facet Louise Audubert
author_sort Louise Audubert
collection DOAJ
description The modern period sees developing and enriching the protocol surrounding the ceremonies of a monarch’s reign. The choice of a study dedicated to Charles V (1500-1558) is understandable not only by his exceptional destiny as the first Habsburg on the throne of Spain, but also by the new place devolved to the music in his Court. The facts of the life of the Emperor and his family – marriage, birth and death –, as well as the crowning and events around the Order the Golden Fleece, are many occasions of luxurious ceremonies where the music occupies a special place. Chronicles and iconographies of the time often give only very summary indications of the musical contents of these various rites of the monarchy. But some musicologists’ works on the circumstance anthems of the first half of the XVIth century allow to raise the significant role that could play the music in the celebration of the power in Charles V’s Court.
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institution Kabale University
issn 1951-6169
language Spanish
publishDate 2016-02-01
publisher Civilisations et Littératures d’Espagne et d’Amérique du Moyen Âge aux Lumières (CLEA) - Paris Sorbonne
record_format Article
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spelling doaj-art-af872ca3e00f4c20b32d3c9ecc3def6f2024-12-09T13:39:44ZspaCivilisations et Littératures d’Espagne et d’Amérique du Moyen Âge aux Lumières (CLEA) - Paris SorbonneE-Spania1951-61692016-02-012310.4000/e-spania.25365Cérémonies monarchiques et musique à la cour de Charles QuintLouise AudubertThe modern period sees developing and enriching the protocol surrounding the ceremonies of a monarch’s reign. The choice of a study dedicated to Charles V (1500-1558) is understandable not only by his exceptional destiny as the first Habsburg on the throne of Spain, but also by the new place devolved to the music in his Court. The facts of the life of the Emperor and his family – marriage, birth and death –, as well as the crowning and events around the Order the Golden Fleece, are many occasions of luxurious ceremonies where the music occupies a special place. Chronicles and iconographies of the time often give only very summary indications of the musical contents of these various rites of the monarchy. But some musicologists’ works on the circumstance anthems of the first half of the XVIth century allow to raise the significant role that could play the music in the celebration of the power in Charles V’s Court.https://journals.openedition.org/e-spania/25365Charles Vcourtmusicanthemsritesmonarchy
spellingShingle Louise Audubert
Cérémonies monarchiques et musique à la cour de Charles Quint
E-Spania
Charles V
court
music
anthems
rites
monarchy
title Cérémonies monarchiques et musique à la cour de Charles Quint
title_full Cérémonies monarchiques et musique à la cour de Charles Quint
title_fullStr Cérémonies monarchiques et musique à la cour de Charles Quint
title_full_unstemmed Cérémonies monarchiques et musique à la cour de Charles Quint
title_short Cérémonies monarchiques et musique à la cour de Charles Quint
title_sort ceremonies monarchiques et musique a la cour de charles quint
topic Charles V
court
music
anthems
rites
monarchy
url https://journals.openedition.org/e-spania/25365
work_keys_str_mv AT louiseaudubert ceremoniesmonarchiquesetmusiquealacourdecharlesquint