This is Improper and Irreligious

This article examines the negotiation of queer sexuality in Arab-Muslim societies of North Africa. Through close analysis and reading of the film Imarat Yácubyan by Marwan Hamed (Egypt) and the novel Une Mélancolie Arabe by Abdellah Taïa (Morocco), this article examines how media makes it possible...

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Main Author: Gibson Ncube
Format: Article
Language:English
Published: UJ Press 2023-03-01
Series:African Journal of Gender and Religion (AJGR)
Subjects:
Online Access:https://journals.uj.ac.za/index.php/ajgr/article/view/2162
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author Gibson Ncube
author_facet Gibson Ncube
author_sort Gibson Ncube
collection DOAJ
description This article examines the negotiation of queer sexuality in Arab-Muslim societies of North Africa. Through close analysis and reading of the film Imarat Yácubyan by Marwan Hamed (Egypt) and the novel Une Mélancolie Arabe by Abdellah Taïa (Morocco), this article examines how media makes it possible to understand how Muslims in North Africa negotiate their sexuality, religion, and practice against backgrounds in which queerness exists in silence and marginality. The selected film and novel demonstrate that Islam is, in fact, a sensuous and queer religion. Designating Islam as queer gestures towards the possibility of imagining non-normative sexualities exiting within and being compatible with the religion. In their different iterations of the intersection of queerness and the practice of Islam, Imarat Yácubyan and Une Mélancolie Arabe open new spaces for understanding Islam and, specifically, what it means to be queer, Arab, and Muslim within the sociocultural context of North African countries.
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issn 2707-2991
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series African Journal of Gender and Religion (AJGR)
spelling doaj-art-ae451238bf05419b95013858a5fb75cb2025-01-08T08:59:52ZengUJ PressAfrican Journal of Gender and Religion (AJGR)2707-29912023-03-0128210.36615/ajgr.v28i2.2162This is Improper and IrreligiousGibson Ncube0a:1:{s:5:"en_US";s:23:"Stellenbosch University";} This article examines the negotiation of queer sexuality in Arab-Muslim societies of North Africa. Through close analysis and reading of the film Imarat Yácubyan by Marwan Hamed (Egypt) and the novel Une Mélancolie Arabe by Abdellah Taïa (Morocco), this article examines how media makes it possible to understand how Muslims in North Africa negotiate their sexuality, religion, and practice against backgrounds in which queerness exists in silence and marginality. The selected film and novel demonstrate that Islam is, in fact, a sensuous and queer religion. Designating Islam as queer gestures towards the possibility of imagining non-normative sexualities exiting within and being compatible with the religion. In their different iterations of the intersection of queerness and the practice of Islam, Imarat Yácubyan and Une Mélancolie Arabe open new spaces for understanding Islam and, specifically, what it means to be queer, Arab, and Muslim within the sociocultural context of North African countries. https://journals.uj.ac.za/index.php/ajgr/article/view/2162embodimentIslamNorth Africaqueerreligion
spellingShingle Gibson Ncube
This is Improper and Irreligious
African Journal of Gender and Religion (AJGR)
embodiment
Islam
North Africa
queer
religion
title This is Improper and Irreligious
title_full This is Improper and Irreligious
title_fullStr This is Improper and Irreligious
title_full_unstemmed This is Improper and Irreligious
title_short This is Improper and Irreligious
title_sort this is improper and irreligious
topic embodiment
Islam
North Africa
queer
religion
url https://journals.uj.ac.za/index.php/ajgr/article/view/2162
work_keys_str_mv AT gibsonncube thisisimproperandirreligious