Ecosse, littérature et nationalisme culturel : le phantasme d’une nation ?

When, in June 1999, the first Scottish parliament since 1707 was restored, it was anything but a small event. A quick inspection of Scottish society tends to prove that although Scotland had been part of a highly centralised state for nearly three centuries, the sense of a distinct national identity...

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Main Author: Camille Manfredi
Format: Article
Language:English
Published: TELEMME - UMR 6570 2002-06-01
Series:Amnis
Subjects:
Online Access:https://journals.openedition.org/amnis/110
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author Camille Manfredi
author_facet Camille Manfredi
author_sort Camille Manfredi
collection DOAJ
description When, in June 1999, the first Scottish parliament since 1707 was restored, it was anything but a small event. A quick inspection of Scottish society tends to prove that although Scotland had been part of a highly centralised state for nearly three centuries, the sense of a distinct national identity has survived, despite a rather chaotic history of political frustration and largely self-sustained oppression. This article offers to deal with nationalism in terms of discursive strategies designed to forge the community’s self-identity and of an ideological and mainly literary quest for self-definition. It will thus reveal a plethora of (mis)representations of Scotland throughout the centuries, a profusion of ‘imagined communities’ and idealised versions of national history and fables that have so far failed to successfully epitomise a nation which is still struggling against enduring dilemmas to design its own image.
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spelling doaj-art-aaacf9a314e4409f9e065b97b69b77f12025-01-09T16:30:56ZengTELEMME - UMR 6570Amnis1764-71932002-06-01210.4000/amnis.110Ecosse, littérature et nationalisme culturel : le phantasme d’une nation ?Camille ManfrediWhen, in June 1999, the first Scottish parliament since 1707 was restored, it was anything but a small event. A quick inspection of Scottish society tends to prove that although Scotland had been part of a highly centralised state for nearly three centuries, the sense of a distinct national identity has survived, despite a rather chaotic history of political frustration and largely self-sustained oppression. This article offers to deal with nationalism in terms of discursive strategies designed to forge the community’s self-identity and of an ideological and mainly literary quest for self-definition. It will thus reveal a plethora of (mis)representations of Scotland throughout the centuries, a profusion of ‘imagined communities’ and idealised versions of national history and fables that have so far failed to successfully epitomise a nation which is still struggling against enduring dilemmas to design its own image.https://journals.openedition.org/amnis/110Scotlandnationimagined communitiesEurope
spellingShingle Camille Manfredi
Ecosse, littérature et nationalisme culturel : le phantasme d’une nation ?
Amnis
Scotland
nation
imagined communities
Europe
title Ecosse, littérature et nationalisme culturel : le phantasme d’une nation ?
title_full Ecosse, littérature et nationalisme culturel : le phantasme d’une nation ?
title_fullStr Ecosse, littérature et nationalisme culturel : le phantasme d’une nation ?
title_full_unstemmed Ecosse, littérature et nationalisme culturel : le phantasme d’une nation ?
title_short Ecosse, littérature et nationalisme culturel : le phantasme d’une nation ?
title_sort ecosse litterature et nationalisme culturel le phantasme d une nation
topic Scotland
nation
imagined communities
Europe
url https://journals.openedition.org/amnis/110
work_keys_str_mv AT camillemanfredi ecosselitteratureetnationalismeculturellephantasmedunenation