De l’art de faire signe à l’art de faire sens
This article examines how Francis Dubost subtly draws on narratological tools developed by Gérard Genette, while deliberately avoiding theoretical jargon. Through an analysis of selected case studies from his work on medieval romance, it highlights a critical posture based on clarity, progressive in...
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| Format: | Article |
| Language: | fra |
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Presses universitaires de la Méditerranée
2025-07-01
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| Series: | Revue des Langues Romanes |
| Subjects: | |
| Online Access: | https://journals.openedition.org/rlr/6288 |
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| Summary: | This article examines how Francis Dubost subtly draws on narratological tools developed by Gérard Genette, while deliberately avoiding theoretical jargon. Through an analysis of selected case studies from his work on medieval romance, it highlights a critical posture based on clarity, progressive induction, and the central role of the reader in the co-construction of meaning. With a focus on the silences and narrative play of medieval texts, this approach favors a patient mode of reading, grounded in the operative images emerging from the works themselves, and turns critical analysis into a shared adventure. |
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| ISSN: | 0223-3711 2391-114X |