Tensions et résolutions : musicalité de l’intrigue ou intrigue musicale ?
In his famous commentary of Sarrazine, Barthes argues that there is “the same constraint in the progressive order of the melody and in the narrative sequence, which is equally progressive”. Werner Wolf states meanwhile that “music can create suspense by disharmonious passages or excursions into fore...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | fra |
| Published: |
Laboratoire Interdisciplinaire Récits Cultures Et Sociétés
2011-12-01
|
| Series: | Cahiers de Narratologie |
| Subjects: | |
| Online Access: | https://journals.openedition.org/narratologie/6461 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1846134440170881024 |
|---|---|
| author | Raphaël Baroni |
| author_facet | Raphaël Baroni |
| author_sort | Raphaël Baroni |
| collection | DOAJ |
| description | In his famous commentary of Sarrazine, Barthes argues that there is “the same constraint in the progressive order of the melody and in the narrative sequence, which is equally progressive”. Werner Wolf states meanwhile that “music can create suspense by disharmonious passages or excursions into foreign keys which before coming to harmonious resolutions or returning to the home key.” In these lines, we aim to show that if we agree to redefine the plot, not as the structure of the story told, but as a dynamic form that depends on a progression through phases of tension and resolution, it is no longer the main gap between narrative and music, but, on the contrary, one of the most obvious feature that they share. |
| format | Article |
| id | doaj-art-a80d578c3c6c468f9eec47ad281489b2 |
| institution | Kabale University |
| issn | 0993-8516 1765-307X |
| language | fra |
| publishDate | 2011-12-01 |
| publisher | Laboratoire Interdisciplinaire Récits Cultures Et Sociétés |
| record_format | Article |
| series | Cahiers de Narratologie |
| spelling | doaj-art-a80d578c3c6c468f9eec47ad281489b22024-12-09T13:16:00ZfraLaboratoire Interdisciplinaire Récits Cultures Et SociétésCahiers de Narratologie0993-85161765-307X2011-12-012110.4000/narratologie.6461Tensions et résolutions : musicalité de l’intrigue ou intrigue musicale ?Raphaël BaroniIn his famous commentary of Sarrazine, Barthes argues that there is “the same constraint in the progressive order of the melody and in the narrative sequence, which is equally progressive”. Werner Wolf states meanwhile that “music can create suspense by disharmonious passages or excursions into foreign keys which before coming to harmonious resolutions or returning to the home key.” In these lines, we aim to show that if we agree to redefine the plot, not as the structure of the story told, but as a dynamic form that depends on a progression through phases of tension and resolution, it is no longer the main gap between narrative and music, but, on the contrary, one of the most obvious feature that they share.https://journals.openedition.org/narratologie/6461intriguerépétitionmusiquenarrativitétensionrésolution |
| spellingShingle | Raphaël Baroni Tensions et résolutions : musicalité de l’intrigue ou intrigue musicale ? Cahiers de Narratologie intrigue répétition musique narrativité tension résolution |
| title | Tensions et résolutions : musicalité de l’intrigue ou intrigue musicale ? |
| title_full | Tensions et résolutions : musicalité de l’intrigue ou intrigue musicale ? |
| title_fullStr | Tensions et résolutions : musicalité de l’intrigue ou intrigue musicale ? |
| title_full_unstemmed | Tensions et résolutions : musicalité de l’intrigue ou intrigue musicale ? |
| title_short | Tensions et résolutions : musicalité de l’intrigue ou intrigue musicale ? |
| title_sort | tensions et resolutions musicalite de l intrigue ou intrigue musicale |
| topic | intrigue répétition musique narrativité tension résolution |
| url | https://journals.openedition.org/narratologie/6461 |
| work_keys_str_mv | AT raphaelbaroni tensionsetresolutionsmusicalitedelintrigueouintriguemusicale |