L’étude des emprunts lexicaux dans le roman de Faîza Guėne « Un homme ça ne pleure pas »
Romanesque writing is a work of fictional art that has meaning. It is committed to and denounces certain community events linked to the exile and mutation of individuals throughout the world. Faïza Guène, who has a connection with the Maghreb, brings an almost similar conception on the obstacles she...
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| Format: | Article |
| Language: | fra |
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Université Abderrahmane Mira
2023-06-01
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| Series: | Multilinguales |
| Subjects: | |
| Online Access: | https://journals.openedition.org/multilinguales/10391 |
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| _version_ | 1846130688141557760 |
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| author | Fatima Zohra Belkacem Zerhouni Wissam Chafi |
| author_facet | Fatima Zohra Belkacem Zerhouni Wissam Chafi |
| author_sort | Fatima Zohra Belkacem Zerhouni |
| collection | DOAJ |
| description | Romanesque writing is a work of fictional art that has meaning. It is committed to and denounces certain community events linked to the exile and mutation of individuals throughout the world. Faïza Guène, who has a connection with the Maghreb, brings an almost similar conception on the obstacles she encounters in the short of her journey. While accepting displacement and progression, she presents herself as a local writer and an evolving cultural carrier. |
| format | Article |
| id | doaj-art-a7e3023be37f4a9a902ad3c7d5f5de9b |
| institution | Kabale University |
| issn | 2335-1535 2335-1853 |
| language | fra |
| publishDate | 2023-06-01 |
| publisher | Université Abderrahmane Mira |
| record_format | Article |
| series | Multilinguales |
| spelling | doaj-art-a7e3023be37f4a9a902ad3c7d5f5de9b2024-12-09T16:09:28ZfraUniversité Abderrahmane MiraMultilinguales2335-15352335-18532023-06-011910.4000/multilinguales.10391L’étude des emprunts lexicaux dans le roman de Faîza Guėne « Un homme ça ne pleure pas »Fatima Zohra Belkacem ZerhouniWissam ChafiRomanesque writing is a work of fictional art that has meaning. It is committed to and denounces certain community events linked to the exile and mutation of individuals throughout the world. Faïza Guène, who has a connection with the Maghreb, brings an almost similar conception on the obstacles she encounters in the short of her journey. While accepting displacement and progression, she presents herself as a local writer and an evolving cultural carrier.https://journals.openedition.org/multilinguales/10391writingborrowingliteratureFaïza Guènecharacter |
| spellingShingle | Fatima Zohra Belkacem Zerhouni Wissam Chafi L’étude des emprunts lexicaux dans le roman de Faîza Guėne « Un homme ça ne pleure pas » Multilinguales writing borrowing literature Faïza Guène character |
| title | L’étude des emprunts lexicaux dans le roman de Faîza Guėne « Un homme ça ne pleure pas » |
| title_full | L’étude des emprunts lexicaux dans le roman de Faîza Guėne « Un homme ça ne pleure pas » |
| title_fullStr | L’étude des emprunts lexicaux dans le roman de Faîza Guėne « Un homme ça ne pleure pas » |
| title_full_unstemmed | L’étude des emprunts lexicaux dans le roman de Faîza Guėne « Un homme ça ne pleure pas » |
| title_short | L’étude des emprunts lexicaux dans le roman de Faîza Guėne « Un homme ça ne pleure pas » |
| title_sort | l etude des emprunts lexicaux dans le roman de faiza guene un homme ca ne pleure pas |
| topic | writing borrowing literature Faïza Guène character |
| url | https://journals.openedition.org/multilinguales/10391 |
| work_keys_str_mv | AT fatimazohrabelkacemzerhouni letudedesempruntslexicauxdansleromandefaizagueneunhommecanepleurepas AT wissamchafi letudedesempruntslexicauxdansleromandefaizagueneunhommecanepleurepas |