Les coulisses du sublime
Cinema is engaged from its origins in a frantic race to make physically impossible actions visually plausible by camouflaging their conditions of application. Who is at the origin of what? Is there a method and which one? Was the actor supported by machines or by cables? Did he perform the stunt him...
Saved in:
Main Author: | Emmanuel Grimaud |
---|---|
Format: | Article |
Language: | fra |
Published: |
Laboratoire d'Ethnologie et de Sociologie Comparative
2011-06-01
|
Series: | Ateliers d'Anthropologie |
Subjects: | |
Online Access: | https://journals.openedition.org/ateliers/8830 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Genera Mixta in Herbert George Wells’s Industrial Romance ‘The Cone’ (1895): Realism, the Uncanny Fantastic, the Industrial Sublime and the Tragic
by: Françoise Dupeyron-Lafay
Published: (2018-06-01) -
Hulu-Hilir Penanggulangan Stunting Di Indonesia
by: Rini Archda Saputri, et al.
Published: (2019-07-01) -
La programmation cinématographique parisienne au cours de la saison 1929/1930 : vers une appréhension des habitudes spectatorielles
by: Valentin Stimpfl
Published: (2012-04-01) -
Penyuluhan Pencegahan Stunting dalam Upaya Percepatan Zero Stunting di Posyandu Dahlia II
by: Anis Laela Megasari, et al.
Published: (2024-08-01) -
OVERLOOKING THE TRANSFORMATION OF VALUES THROUGH THE TRANSNATIONAL AMERICAN REMAKES MOVIES
by: Muhammad Fithratullah, et al.
Published: (2024-10-01)